1994's "Slippin' In" from 1994 is an even more genuine blues record than 1991's Grammy award-winning "Damn Right I've Got the Blues".
Sure, it is a shade more antiseptic than Buddy Guy's classic Chess sides, and the clean production has sanded away most of the grit, which is a bit of a shame. But it is still a really fine album. Guy stays away from stereotypical funk and generic day blues-rock shredding and actually plays the blues, and both his guitar playing and his expressive and flexible tenor voice is strong and focused all the way through.
"Slippin' In" features Double Trouble's Chris Layton and Tommy Shannon on several tracks, and none other than the late, great Johnnie Johnson is playing the piano. Johnson was Chuck Berry's pianist for many years, a masterful, versatile musician who plays slow blues, jazz, driving R&B, and punchy rock n' roll with equal briliance. He is a tremendous asset here, and his solo on "7-11" completely takes over the track.
There are plenty of highlights here, and hardly any let-downs at all. Guy has only written three of the eleven songs himself, but he does a good "Don't Tell Me About The Blues" (originally a single for Bobby 'Blue' Bland), enthusiastically and intelligently covers Denise la Salle's wonderful "Someone Else is Steppin' In", and lays down a great, punchy rendition of Jimmy Reed's classic "Shame, Shame, Shame".
His own slow blues "Little Dab-A-Doo" is another highlight, again partly due to the presence of Johnnie Johnson, and Guy's take on Lowell Fulson's "Love Her With A Feeling", and the slow, soulful "Trouble Blues" are very enjoyable as well. Guy gets off a couple of terrific, sizzling solos on Lowell Fulson's song, which he plays like a hard-hitting Muddy Waters-tune.
"Man Of Many Words" is a very obvious rip-off (it's Otis Redding's "Hard To Handle"), and one or two of the other songs have been recorded many times before as well - albeit with different lyrics! But even blues clichés like "Please Don't Drive Me Away" and "I Smell Trouble" are very well executed and played with a passion, and the combined forces of Buddy Guy's axe and Johnnie Johnson's tinkling 88s in particular make "Slippin' In" a really enjoyable album. The grooves are deep and swinging, and Guy himself sounds like he is having a good time.
Fans of genuine Chicago blues, and of Buddy Guy in particular, will not want to miss this one.
Highly recommended!