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Slings & Arrows: Complete Collection [DVD] [Region 1] [US Import] [NTSC]
 
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Slings & Arrows: Complete Collection [DVD] [Region 1] [US Import] [NTSC]

Paul Gross , Martha Burns    DVD
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

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Product details

  • Actors: Paul Gross, Martha Burns, Stephen Ouimette, Susan Coyne, Don McKellar
  • Writers: Susan Coyne, Mark McKinney, Bob Martin
  • Format: Box set, Colour, DVD-Video, Widescreen, NTSC
  • Language English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 16:9 - 1.66:1
  • Number of discs: 7
  • Classification: NR (Not Rated) (US MPAA rating. See details.)
  • Studio: Acorn Media
  • DVD Release Date: 5 Feb 2008
  • Run Time: 60 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • ASIN: B000XUF6BU
  • Amazon Bestsellers Rank: 20,962 in Film & TV (See Top 100 in Film & TV)

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Most Helpful Customer Reviews
6 of 6 people found the following review helpful
Format:DVD
A great series of shows. I was given it as an Xmas present and watched it with a great deal of enjoyment. As a comedy and satirical look at Shakespearean Theater, and the modern commercialization of it, it hits the mark. But, in addition, the deconstruction of the plays by the director and actors was actually very insightful and how the players were motivated to perform has given me a new desire to watch The Bard again after a few lapsed years! I highly recommend it to people who watch Shakespeare or other theatrical performances regularly (or even used to engage in these activities).The characters are three-dimensional - even the ghost!
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5 of 5 people found the following review helpful
Chin up, Hamlet! 1 May 2011
By E. A Solinas HALL OF FAME TOP 100 REVIEWER
Format:DVD
Ever been to Stratford in Canada, a town that specializes in Shakespearean plays (among others) year-round? Well, I have -- and I have new appreciation for the thespians and managers who manage to keep those venerable theatres running, if they have to deal with half the stuff that goes on in "Slings and Arrows: The Complete Series." It's a subtle, hilarious comedy with death, romance, ghosts and corporate idiocy.

As the story starts, artistic director Oliver Welles (Stephen Ouimette) is run over by a pig truck after drunkenly falling asleep in the road. His replacement: former protege and genius iconoclast Geoffrey Tennant (Paul Gross), whose acting career ended in a nervous breakdown onstage. Unsurprisingly, the acting troupe -- including Geoffrey's ex-lover Ellen Fanshaw (Martha Burns) -- are wary of of Geoffrey's brilliant but erratic behavior.

And Geoffrey isn't too sure of himself, since he seems to be seeing Oliver's ghost trying to guide him from beyond the grave (and causing Geoffrey to start screaming at thin air). Now he has to not only produce "Hamlet" (ironic, no?), but deal with Ellen's cougar romances, avant-garde director Darren Nichols, and an omnivorous American businesswoman trying to turn New Burbage into a shallow theatrical theme park. Will the show go on, or is this "Hamlet" doomed?

The second season sees Geoffrey being forced to put on "Macbeth," and the curse begins to affect the theater right away. The "Romeo and Juliet" director falls off the stage and breaks her neck, putting the production in Darren Nichols' hands; an edgy new ad campaign alienates EVERYBODY; Ellen is being audited; and Oliver's ghost returns to help Geoffrey put on "Macbeth" as he dreamed it.

And the series ends, "King Lear is the newest production at New Burbage -- except that Oliver and Geoffrey are suffering from some personal doubts. Also, the legendary actor who has come out of retirement to play Lear... is dying. So Geoffrey has to keep the play from self-destructing and the leading man from expiring. At the same time, Darren is putting on a sort of low-rent "Rent" that threatens to overshadow the Bard!

If I had to compare "Slings and Arrows" to another comedy series, it would be something like "Arrested Development" meets "The Office" (original or remake). You've got death, romance, corporate treachery, possible insanity, horrible "postmodern" adaptations (the chess pieces!), weird postmortem requests, goths, con-men, dancers, and occasionally a duel ("Everybody cries when they get stabbed. There's no shame in that").

And all this increasingly ridiculous stuff is handled in a straight-faced, non-slapsticky manner with subplots that run through each season -- in fact, each season is actually kind of like a miniseries. The writing is simply brilliant ("Theatre ethics? That's like saying 'whorehouse morals.'") and takes some brilliant comic stabs at bad actors and even worse directors (the dancing "stoned" Ophelia).

Gross is playing the exact opposite of his famous "Due South" role. His Geoffrey is wonderfully erratic, weird and devoted to his craft -- he's delightfully quirky, painfully honest and just a little big insane. Quimette is delightfully witty as Geoffrey's ghostly mentor who guides him from the great beyond, and Burns is excellent as Geofffrey's on-off lover.

"Slings and Arrows: The Complete Collection" is a show that is deliciously subtle, hilarious and clever -- and if you know anything about Shakespeare or putting on a play, it'll have you rolling in the aisles.
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Amazon.com:  99 reviews
110 of 112 people found the following review helpful
It May Seem Sophisticated, And It Is, But It's Darn Funny Too! 16 Dec 2007
By K. Harris - Published on Amazon.com
Format:DVD
If anyone had told me several years ago that one of my favorite programs on television would turn out to be a Canadian import about a Shakespearean theater troupe, I would have had my doubts. But Season 1 of "Slings and Arrows" beguiled me. So droll and sophisticated, but with moments of sheer slapstick, I was absolutely enchanted. Detailing the struggles of a failing company amidst the changing artistic climate, "Slings" presented a colorful band of misfits that formed the unlikeliest of families. The writing was so smart, so funny, and the performances spot on--including Paul Gross and Rachel McAdams (two of the more familiar actors for American audiences). It ended in six episodes and I wistfully said good-bye to a near brilliant show. I had no idea there was more to come.

So I was delighted when I heard Season 2 and even Season 3 were on the way. But I was also doubtful. Could they really mine the same material and come up a winner? To my mind, they did that and even more.

Season 2 contained less back story, so it dealt more specifically with the inner struggle of producing theatrical shows. The comic misadventures involved in staging a cursed production of "Macbeth" was definitely the highpoint. It might have been the funniest thing on TV that season, seriously. One subplot about an experimental advertising campaign to lure new traffic to the theater festival is perfection. As someone who has been a season subscriber in the LA theater scene for over ten years, this was particularly hysterical to me--how much truth there was. Season 3 (which added the always appreciated Sarah Polley to the cast) details how the theater adjusts to success. Its humor is dosed with many moments of melancholy. There is such sadness, yet hope, as the characters begin to make some life altering decisions--it's a fitting emotional tribute to a sublimely funny show.

But, trust me, you don't have to be a theater-goer or a Shakespeare enthusiast to enjoy this program. But you do have to enjoy smart, sophisticated entertainment with top notch performances. I have shown this series to a couple of friends who would NEVER have sampled it on their own. They were surprised how identifiable it was and how funny!!! A great change of pace from much of TV, check this one out! KGHarris, 12/07.
50 of 52 people found the following review helpful
I cannot recommend this highly enough 3 Feb 2008
By Robert Moore - Published on Amazon.com
Format:DVD|Amazon Verified Purchase
So few people I know are aware of this wonderful show's existence. My hope is that collecting all three seasons in a single DVD box set could lead to a whole new group of viewers. What impressed me about the series is the way it provided absolutely first-rate popular entertainment in a relatively highbrow context. It is funny. There are romantic another other kinds of relationships that we as viewers come to care deeply about. And we are introduced to a host of fascinating characters. But at the same time there is some remarkably insightful discussion of Shakespeare.

You don't have to love Shakespeare to love this series, but you'll love it all the more if you do. If you don't own copies of HAMLET, MCBETH, and KING LEAR, I would strongly encourage you to order copies of each along with this box set. I reread each play as a result of seeing SLINGS AND ARROWS. I suspect that a substantial number of viewers of the show have done so as well.

The stories revolve around a moderately successful theater festival in a fictitious Canadian town. When Oliver Welles, the revered head of the festival, dies unexpectedly Geoffrey Tennant, a formerly celebrated actor who made his mark there, is asked to return as director. Paul Gross (perhaps best known to those in the United States as the Mounty assigned to Chicago in the fun series DUE SOUTH) absolutely steals the series as Tennant. I've seen a great deal of his work and this is hands down the best thing he has done. Although he steals the show, his real life wife Martha Burns costars as the resident lead actress of the troupe and the former lover of Tennant. The most surprising performance on the show might be that of Mark McKinney, formerly of KIDS IN THE HALL, who does a great job as the festival's business director. The cast is bolstered by a number of superb supporting characters as well as several excellent guest stars. Rachel McAdams was great on the show until Hollywood beckoned and she left the series after Season One. Geraint Wyn Davies, who many will remember from the vampire TV series FOREVER KNIGHT, excelled in Season Two as famous Shakespearean recruited to play McBeth. Sarah Polley (whose father was a regular on the series) is Season Three's Cordelia. Celebrated Canadian Shakespearean actor William Hutt turns in an astonishing performance as Season Three's Lear. But the funniest guest role is hands down that by Colm Feore, who plays a charlatan PR firm director.

This is just great TV and if you haven't seen this, you must. This is the best completely unknown television series of the past several years. I've pushed other little watched series on friends, like FRIDAY NIGHT LIGHTS, but that wonderful series has several times the audience that SLINGS AND ARROWS had. All you need to do to love it is to watch it.
37 of 39 people found the following review helpful
Superb and funny 11 Dec 2007
By J. R. Neale - Published on Amazon.com
Format:DVD
One of the most original, brilliant comedy series about theatre ever made, if not THE best. Anyone working within a nonprofit arts organization will recognize everything and everyone involved. It's pitch perfect and very funny. And one lovely thing about it -- it isn't mean spirited, not once.
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