Grace Jones was without doubt one of the most memorable characters of the 80's. Her outrageous image, her legendary temper and of course the stunning trilogy of music she created at Island Records under the supervision of Island founder Chris Blackwell. Her appearances in blockbuster hits such as: "Conan the Destroyer" and "A View to a Kill" only further improved her already immense popularity, and even though her erratic behaviour eventually clouded her musical output, her music is still highly influential, even today. She "left" Island records after "Living My Life," and spend the next three years as a movie actress and being a TV personality. In 1985, Trever Horn approached Grace with the idea of making an autobiography, testing his new ideas about layering and juxtaposing instruments into one mass; he had already had success experimenting this new concept, producing Frankie Goes to Hollywood's first two albums. He called upon some big names such as: Steve Lipson (engineer) and Bruce Woolley (guitar, bass and keyboards), to create this new project. There's a lot of names behind this project (I actually counted around 40 musicians; producers and engineers), an awful a lot of names for one song. The album is built around one song, divided in 8 pieces; from the striking opening of "Jones the Rhythm" to the quiet hush of "The Crossing (Ooh the Action)." The album ranges from striking r'n'b grooves to soft New Age music, intertwined with interview cuts about Jones' highly fascinating life. In the end, Slave to the Rhythm isn't really that much about Jones. She provides the vocals, with her almost operatic voice, but one doesn't really notice her. The album is more a display of Trevor Horn's amazing capability as a producer.