THE OLIVER HARDY COLLECTION is part of a priceless seven-disk SLAPSTICK SYMPOSIUM series from peerless Kino Video. It affords fans of silent film comedy in general, and Stan Laurel and Oliver Hardy in particular, a chance to see Hardy working with other screen partners. The eight silent comedy shorts here have "Babe" Hardy in a variety of mostly supporting roles to such starring and forgotten screen clowns as Larry Semon, Clyde Cook, Glenn Tryon, and Bobby Ray. Each short is about 25 minutes, and a few are making their debut here in complete form.
THE SHOW (1922) is a starring vehicle for pasty-faced Larry Semon (who also directed) as the prop manager for a vaudeville show. Hardy plays a villainous stage manager. And the very elaborate THE SAWMILL (1921) has slapstick antics in and around a sawmill that was built for the movie. Semon stars and co-directs (with Norman Taurog). Larry is a dumb-bell logger competing with foreman Hardy for affections of the boss's daughter.
STICK AROUND (1924) teams Oliver with Bobby Ray as hilariously inept wallpaper hangers at an insane asylum. And HOP TO IT (1925) has Ray and Ollie as bellboys who can't tell one room from another, mistaking them when the room numbers are switched.
ALONG CAME AUNTIE (1926) involves one woman, an ex (Hardy) and current husband, and an eccentric aunt who has $100,000 to give to the woman if she is really married to the ex-husband.
45 MINUTES TO HOLLYWOOD (1926) is the first comedy that has both Hardy and Stan Laurel in it, though not in the same scene. The movie stars Glenn Tryon as a country boy who tries to make it in Hollywood; Hardy as a confused hotel detective; and Stan as a cross-dressing thief. CRAZY TO ACT (1927) marked Hardy's final film for producer Mack Sennett. Ollie plays a rich suitor financing a movie for his future wife.
Finally, SHOULD SAILORS MARRY? (1925) stars Clyde Cook has a former sailor who cannot settle down with his new bride because she has a pesty brutal wrestler ex-husband living with them!
Several of these mint-condition 35mm shorts have exhilarating and hair-raising stunts, while many also feature fun glimpses into 1920's improvisational filmmaking with some long-forgotten screen comics. The print source is Lobster Films in Paris, and the lovely jazzy piano scores are by Eric Le Guen. As expected, Kino has done flawless transfer work. If you like THE OLIVER HARDY COLLECTION, Kino has even more wonderful silent comedy short compilations starring Stan Laurel solo, Harold Lloyd, and Charley Chase. The prints are magnificent, again from Lobster Films. The volumes sell individually, NOT as a boxed set, from Kino or Amazon.com for about $20 each on DVD.