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Sixty-nine [Paperback]

Ryu Murakami , Ralph McCarthy
4.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

7 Feb 2006
In 1969 we were seventeen. We listened to the Beatles, the Stones, the Doors, the Velvet Underground, the Grateful Dead, Cream, Jimi Hendrix, Janis Joplin, and Bob Dylan. We read Rimbaud, played guitars, smoked pot, fell in love, rebelled against the establishment, protested the war in Vietnam, barricaded our high school, and produced the first rock festival in our home town - a small city in a remote southwestern corner of Japan. "69" is a roman de clef about coming of age during a time that left its mark on baby boomers around the world - a time when we really believed we could change the world before it changed us. By turns hilarious, cynical, frivolous, and poignant, the book is infused from start to finish with Ryu Murakami's relentless energy and optimism; and it simply refuses to get tedious, preach, or "literary" for a single moment.

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Product details

  • Paperback: 192 pages
  • Publisher: Kodansha International Ltd (7 Feb 2006)
  • Language: English
  • ISBN-10: 9784770030139
  • ISBN-13: 978-4770030139
  • ASIN: 4770030134
  • Product Dimensions: 21.1 x 18.6 x 1.2 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 572,638 in Books (See Top 100 in Books)

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Product Description


"A light, rollicking, sometimes hilarious, but never sentimental picture of late-sixties Japan." --Library Journal"A great deal of fun, and Murakami ... is a find." --Kirkus Reviews"The hero is a thoroughly engaging smartass." --Los Angeles Times"A superb and very funny bluffer, and one sympathizes with him all the way." --Atlantic Monthly"A cross between The Catcher and the Rye and The Strawberry Statement." --Review of Contemporary Fiction

About the Author

Whether writing novels, directing films or playing drums in a rock band, RYU MURAKAMI has remained on the cutting edge of popular culture in Japan. He is the recipient of some of the country's most prestigious awards, including the Akutagawa Prize in 1976 for his debut novel, Almost TransparentBlue, which has gone on to sell over two million copies worldwide; and the Yomiuri Literary Award in 1998 for In the Miso Soup, published by Kodansha in hardcover in the United States in 2003, with a trade paperback edition coming from Penguin in 2006. In 1992, Murakami wrote and directed the film "Tokyo Decadence," which had its premiere at the Toronto Film Festival. He also wrote and directed the film version of Sixty-Nine (2004), available on DVD in English. A movie of Coin Locker Babies is scheduled for a 2006/07 release, with a screenplay by Sean Lennon and starring Val Kilmer.

Inside This Book (Learn More)
First Sentence
Nineteen sixty-nine was the year student uprisings shut down Tokyo University. Read the first page
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
4.0 out of 5 stars Growing up in the 1960s 24 May 2009
By b
Ryu Murakami brings to live the rebellious spirit of the late 1960s as his narrator, influenced by the spirit of The Beatles, Jimi Hendrix, Bob Dylan and others stages protests at his high school and then organises a rock festival. Motivated by adolescent lust, the novel is hugely entertaining and seems to capture the spirit of an age. It is fascinating as an account of Japanese obsession with foreign music and how this music created rifts between different generations. Murakami is sympathetic to all his characters and the novel is entertaining and amusing.
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6 of 7 people found the following review helpful
5.0 out of 5 stars Light and entertaining read 27 May 2008
This is a very funny novel, the protagonist is a wise guy who recounts his experiences at school. I enjoyed the wackyness, the sharp style, realism and inter-relationship of the characters.

Above all this is a novel simply to be enjoyed - I read it over the Bank Holiday Weekend and it went by very quickly. I hope Ryu comes out with something like this in the future, as it seems to have been a one-off.
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1 of 3 people found the following review helpful
By J. Axup
Format:Paperback|Verified Purchase
Unlike Murakami's chilling psychological thrillers, this is a lighthearted semi-autobiographical account of a 17-year-old Murakami growing up in 1969 Sasebo, Japan. It's a coming of age story about getting one up over the Greasers and the Kendo team, rocking the school, and, of course, getting the girl.

First published in 1987, the '60s culture references come think and fast, and can be confusing to readers who weren't there at the time. It's like a Japanese version of Greece.

"If everyone could feel as I felt at that moment, dressed in my preppy sweater and McGreagor coat and about to set out on a little journey with my Bambi-eyed girlfriend on Christmas Eve, all the conflicts in the world would vanish. Mellow smiles would rule the earth."

The 2004 film adaption by Sang-il Lee seems impossible to find. A Japanese coming of age film I fully recommend [warning: it has no plot and is very arty] is: All About Liliy Chiu Chiu All About Lily Chou-Chou [DVD] [2002]
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9 of 21 people found the following review helpful
4.0 out of 5 stars Unsettling 21 Jun 2001
By A Customer
I first read this book on a trip to the northern lights and couldn't decide if I really liked it. Its unsettling weave or story and stance is indeed unique and sets the reader on a rare trip - to somewhere out of their control. Just wander with the story but don't fight it.
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Amazon.com: 3.9 out of 5 stars  14 reviews
8 of 8 people found the following review helpful
5.0 out of 5 stars Power to the Imagination! 3 Jun 2006
By Zack Davisson - Published on Amazon.com
Mention the name Ryu Murakami and there are usually visions of nihilism, self-destructive sex and drugs, and a dismal portrait of the scum-encrusted shadow world of the rebellious youth of Japan. After all, this is the author of the novel that spawned the film "Audition" and who wrote the infamous opening lines of "Coin Locker Babies," "The woman pushed on the baby's stomach and sucked its penis into her mouth; it was thinner than the American menthols she smoked..." Pure punk rock on page. No future. So, pick up a book titled "69," the fourth book translated into English by the prolific author, and your expectation is...

...anything but this. Anything but a brilliant, light-hearted, fast-paced trip through the lazy hazy days of the Summer of 69, a time of unprecedented freedom when a guy and his good buddies could throw together a band, a rock festival, and maybe a little bit of student rebellion all for the hope that the prettiest girls in school might be just a little more impressed with them and let them in on that magic secret they keep under their skirts. Don't get me wrong, this is still punk rock, but this is punk rock before it got a name, and still had the skin of innocence and the youthful sheen of tearing things down with hope for a better future. This is just fun.

As he did in "Almost Transparent Blue," Murakami has stitched together his own past with a dream of idealized youth, creating a believable world of kids giving full reign to their impulses, free from the controlling influence of authority. His protagonist in "69," Kensuke Yazaki, didn't exactly just get his first real six-string at the 5 and Dime, but he is the drummer for a garage band that plays the latest Stones and Cream, although they have never had a real gig. He drops quotes of Rimbaud poetry and recommends counter-culture books, although he has never actually read them. He would totally smoke marijuana if he knew how to get any, and he would totally join in on the Free Love movement if any girl would let him.

But Yazaki is a small-town kid, and while he can read about the goings on in San Francisco and even Tokyo, maybe fantasize a bit, his own little backwater town isn't exactly bursting into the future. He's not going to let that stop him, though. He's got a plan, he's got a buddy, and he's got a girl to impress. He's seventeen years old, its the summer, and the year is 1969. Its time to do something stupid, something outrageous, and have a good time.

Ryu Murakami shows his range with "69." He is a lot more than the dark shadow of modern Japanese literature, much more than the Batman to Murakami Haruki's Superman. Most of all, he sums up what it means to be young all in one line. "Victory went to whoever had the most fun." Amen.
6 of 6 people found the following review helpful
5.0 out of 5 stars a light-hearted comedy uncharacteristic of Murakami, but ultimately worth a read. 19 Mar 2006
By Hyde Chua - Published on Amazon.com
69 is a light-hearted comedic novel unlike the other three translated novels by the same author, and should not be compared side-by-side with their heavy postmodern themes.

Instead, 69 offers the viewpoint of a youth born in a small Japanese town influenced by western movements of that time, in particular the avant-garde, the political situation and the music of that time. Combining politicos, yakuzas, greasers, rock musicians who only knew how to sing "dontcha know" and play three chords and your average high-schooler, Ryu Murakami has captured a perfect snapshot of youth.

Possible themes involve the concept of American occupation of Japan during that time, Japanese youth and their fickle-minded apathy (combined with a short attention span), but these are only painted with broad strokes as the narrative refuses to dwelve further into these possible issues, although one can guess the author's viewpoint on these issues through their passing mention thereof.

Nonetheless, the time and themes in this novel are immaterial. This novel is skillfully rendered, hilariously portrayed, and light-hearted enough to illicit a laugh from even the most gloomy postmodernists. In the pursuit for heavy meanings, perhaps we have overlooked what 69 represents: it is the beauty of youth that is meant to be lived-- instead of wasted-- that truly counts beneath the mish-mash of social groups presented in this novel.
6 of 6 people found the following review helpful
4.0 out of 5 stars Pure fun 30 May 2005
By Charles E. Stevens - Published on Amazon.com
Although it's not fair to compare Ryu and Haruki Murakami simply because they share the same family name, I couldn't help but feel that "69" was Ryu's "Norwegian Wood." In both stories (interestingly, both were written in 1987 about the year 1969!), the authors take a break from their normal styles and write semi-autobiographical works about their school days. At the same time, it would be a mistake to consider both works fundamentally different from the authors' other works--"Norwegian Wood" is essentially Haruki's other stories without the Sheep Men and mysterious wells, "69" is the essence of Ryu's other works, sans the acid trips and coin lockers.

Ryu's message is simple: You win in life by having fun. Whereas Haruki's protagonists are coolly detached (the main character in Norwegian Wood watches the college demonstrations impassively), Ryu's are fiercely proactive--it's Ken that starts the trouble at his school. Although Ryu finishes "69" with a slightly bittersweet ending, the vast majority of the book is about having fun. Rebellion vs. authority, beauty vs. ugliness, extroverts vs. introverts: "69" has few grey areas. Some people might criticize this lack of complexity as a sign of immaturity, but for me it was refreshing to read a book as optimistic and frank as this one.

"69" will bother people aching for hidden meanings (why do people get bothered when an author actually says plainly what he means?) or some kind of bildungsroman formula involving personal growth (Ryu captures the energy and unabashed egoism of a 17 year old perfectly, rather than burdening Ken with some kind of post-modern angst). But really, who cares? Have fun reading this book!
2 of 2 people found the following review helpful
5.0 out of 5 stars Funny but serious and uncondescending 2 Dec 2007
By Sean Brown - Published on Amazon.com
Format:Paperback|Verified Purchase
69 is one of my favorite coming-of-age stories. It contains few enough "insight moments" to remain digestible. But there is something to think about, laugh at, admire, or learn on nearly every page.

I'm not sure how much of the book is based on actual events in Murakami Ryu's life, but the story was realistic enough to keep me engaged. Murakami does a great job injecting humor into the first-person narrative, which also serves to develop the main character of Ken. There is a clear pattern: every 10 pages or so, Ken claims he did something sensible, then contradicts himself with "of course that wasn't the case. Instead, I ______."

Without patronizing the reader, Murakami also touches on subjects like national identity, group membership and influences, Japanese culture, and social biases. Though a quick read 69, is thought-provoking and, to me, very effective in setting up several archetypal characters and subsequently refining some while showing the changes of others. As this mirrors real life - some people change while others seem to be older versions of their younger selves - the character studies in 69 are highly compelling.

I highly recommend 69, especially to those interested in Japan or fans of Murakami Haruki or Natsuo Kirino.
4 of 5 people found the following review helpful
4.0 out of 5 stars a real shocker in light of his other work. 8 Mar 1998
By A Customer - Published on Amazon.com
at the once wry, wistful and charmingly honest, this book is an endearing howl. 69 tells the story of the high school days of one ken (shimada?), and offers both an illuminating examination of the japanese youth climate at the end of the sixties, and a hysterical stripping away of the artifice that constitutes the artistic temprement. at one point, the protagonist justifies his healthy estimation of himself by listing off the works of figures of literary renoun, and declaring emphatically "i had heard of all of these books!" the most striking thing about this book his how it steers clear of the provocative streak found in his other works, most in evidence here in the cheeky titling. a quiet, good hearted charmer, and highly recomended.
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