Theodore Dreiser is a man who, with the passage of time, is bound to loom larger and larger in the awakening aesthetic consciousness of America. Among all of our prose writers he is one of the few men of whom it may be said that he has . . . never been a trickster. If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, Theodore Dreiser is the pioneer and the hero of the movement. --Sherwood Anderson
Such a novel as Sister Carrie stands quite outside the brief traffic of the customary stage. It leaves behind an inescapable impression of bigness, of epic sweep and dignity. It is not a mere story, not a novel in the customary American meaning of the word; it is at once a psalm of life and a criticism of life. . . . [Dreiser's] aim is not merely to tell a tale; his aim is to show the vast ebb and flow of forces which sway and condition human destiny. The thing he seeks to do is to stir, to awaken, to move. One does not arise from such a book as Sister Carrie with a smirk of satisfaction; one leaves it infinitely touched. --H. L. Mencken
--This text refers to an out of print or unavailable edition of this title.
About the Author
Theodore Dreiser was born in Terre Haute, Indiana, on August 27, 1871. After a poor and difficult childhood, Dreiser broke into newspaper work in Chicago in 1892. A successful career as a magazine writer in New York during the late 1890s was followed by his first novel, Sister Carrie (1900). When this work made little impact, Dreiser published no fiction until Jennie Gerhardt in 1911. There then followed a decade and a half of major work in a number of literary forms, which was capped in 1925 by An American Tragedy, a novel that brought him universal acclaim. Dreiser was increasingly preoccupied by philosophical and political issues during the last two decades of his life. He died in Los Angeles on December 28, 1945.