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Sirius (S.F. Masterworks) [Paperback]

Olaf Stapledon
4.0 out of 5 stars  See all reviews (8 customer reviews)
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Book Description

14 April 2011 S.F. Masterworks
Sirius is Thomas Trelone's great experiment - a huge, handsome dog with the brain and intelligence of a human being. Raised and educated in Trelone's own family alongside Plaxy, his youngest daughter, Sirius is a truly remarkable and gifted creature. His relationship with the Trelones, particularly with Plaxy, is deep and close, and his inquiring mind ranges across the spectrum of human knowledge and experience. But Sirius isn't human and the conflicts and inner turmoil that torture him cannot be resolved.

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Sirius (S.F. Masterworks) + Odd John (S.F. MASTERWORKS) + Last And First Men (S.F. MASTERWORKS)
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Product details

  • Paperback: 208 pages
  • Publisher: Gollancz (14 April 2011)
  • Language: English
  • ISBN-10: 0575099429
  • ISBN-13: 978-0575099425
  • Product Dimensions: 12.9 x 1.5 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 55,992 in Books (See Top 100 in Books)

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Review

'Sirius is a somewhat poignant journey, incalculably emotive and immeasurably introspective, a true masterpiece of literary (science) fiction.' (SFBOOK.COM )

About the Author

Olaf Stapledon (1886-1950) was born near Liverpool and educated at Balliol College, Oxford and Liverpool University. After spending eighteen months working in a shipping office in Liverpool and Port Said, he lectured extramurally for Liverpool University in English Literature and Industrial History. He served in France from 1915 until 1919 with the Friends' Ambulance Unit and then lectured again for Liverpool University in psychology and philosophy. His novels include FIRST AND LAST MEN, LAST MAN IN LONDON, STAR MAKER and ODD JOHN.

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Customer Reviews

Most Helpful Customer Reviews
2 of 2 people found the following review helpful
4.0 out of 5 stars The Forgotten One 22 Sep 2010
By Dave_42
Format:Paperback
Olaf Stapledon, is undoubtedly best known for his amazing novels "Star Maker" and "Last and First Men", but if that is all you have read from him then you have missed out on his writings which are in a more traditional style. "Sirius: A Fantasy of Love and Discord", published in 1944, is an excellent book as well, though not on the same scale as those earlier works. It is the story of a "super sheepdog" (Sirius), who was biologically engineered with hormones, and raised along with the daughter (Plaxy) of the scientist (Thomas Trelone). It is a tragic story, in which Sirius struggles between the worlds of his human family and his canine instinct. A unique bond is formed between Plaxy and Sirius that shapes both of their lives.

"Sirius" can stand alone, or be considered part of Stapledon's vast future universe as outlined in his other works. The story is simply on a much smaller scale, and so would not in and of itself be a noteworthy event in books like "Last and First Men" or "Star Maker". Thomas Trelone is Stapledon's Frankenstein, though certainly he does not suffer from the same character flaws as Shelly's famous predecessor. At the same time, Trelone admits that he failed to consider all of the consequences of his experiment, which led to a very lonely and torn character in Sirius. Sirius cannot fit in with humans for many reasons, though Sirius himself focuses on the lack of hands. Sirius also doesn't fit with other canines, as he finds them too simple and only interesting when a female is in heat.

This book was tied for 9th on the Arkham Survey in 1949 as one of the `Basic SF Titles', which was a higher rank than "Star Maker" (tied for 13th) received.
... Read more ›
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7 of 8 people found the following review helpful
3.0 out of 5 stars Not "Disney" 2 Sep 2003
By A Customer
Format:Paperback
A story about a superintelligent talking dog? It sounds terrible, like something out of a twee Disney film, but in actual fact Stapledon manages to avoid anything like that, and has written an incredible, touching story. It reminds me of "Call of the Wild" and "White Fang", and doesn't avoid the dark side of Sirius' nature... there are a couple of particularly savage passages where Sirius kills a sadistic farmer, and also "murders" a horse just to indulge his canine instincts.

Sirius ends up seeing the full range of human life, from bad to good, and more. He is also not a true dog, and finds himself not only alienated from human beings who cannot accept him fully (with a handful of exceptions), but other dogs who are like cretins to him especially his "lovers" (as the book puts it). Despite having difficulty speaking and writing (he devises ways to get around that), Sirius has an advantage over other dogs through his intelligence, and over humans in his hearing, sense of smell etc. What we get is not only a satire on English life during WWII, but an almost autistic view of the world, seeing everything but not able to integrate oneself into it.

Of course some of the writing is dated, and Stapledon at times takes a very colonial view of the Welsh and their language (Sirius is originally brought up on a Welsh farm by English academics). Some of the style is very dry and typical of the period (for example when Sirius spots a holy roller farmboy pleasuring himself, Stapledon calls it "something unspeakable". Fortunately Victorian hangovers like these are not common).

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1 of 1 people found the following review helpful
5.0 out of 5 stars Once bitten, smitten. 28 May 2011
By Peeper
Format:Paperback
I got this after reading a review of Stapledon's work by the eminent scientist Freeman Dyson (in a collection of essays and reviews called The Scientist as Rebel), himself a writer of science fiction too. Dyson considers Sirius to be Stapledon's greatest work. It is certainly a profound and affecting one. The tragic hero of the piece is a superintelligent dog, capable of thought and speech. The creature is torn between his 'civilised' and his 'wild' sides, and moves between a human world where he is in part understood and a human world where he is persecuted,as well as the wilderness. In this way, the novel harks back to the gothic tradition of Mary Shelley and Louis Stevenson. No doubt there are echoes of Jack London's fiction too. So the book is as much about human nature as about the ethical dilemmas around genetically modifying animals. Unfortunately, fiction in print and on the screen about talking animals from the second half of the twentieth century onward make sections of the novel at first uninentionally amusing. It is worth repressing the impulse to smirk. You will find yourself feeling and thinking deeply well before the climax of this fine book. Thanks, Freeman Dyson, for drawing the attention of a new generation of readers to this writer of philosophical fiction.
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3 of 4 people found the following review helpful
4.0 out of 5 stars Stranger in a Strange Land! 1 Oct 2001
By A Customer
Format:Paperback
More like a conventional novel than either Last and First Men or Star Maker, this deals with some typical Stapledon themes: alien intelligence or spirit, the quasi symbiosis of different species, the age old question of the purpose of existence. It's an interesting study of a creature's relationship with his creator, his difficulties in dealing with his own uniqueness, and with the fact that his own needs do not always coincide with those of the dominant human species. It raises a number of questions about the type of things which might differ between two species of equal intelligence, and how this might cause conflict between them. Well worth reading!

(I didn't find his style to be a problem; it's just different from what we're used to nowadays.)

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