Albums were still in their infancy in 1956 and usually didn't contain very much music. Yet in that year, Ella Fitzgerald recorded a collection of 32 Cole Porter songs and a collection of 34 Rodgers and Hart songs, both reproduced here in their entirety, as well as some other albums later that year. I don't know how many LP's these 66 tracks originally occupied, but here they fit on three CD's, with each songbook occupying one entire CD and half of another CD. In both cases, the emphasis is on the more famous tracks by the composers, though there are some notable omissions. It is possible that Ella recorded some of these tracks on other albums, but I haven't checked.
Cole Porter started song writing while still at school, but his successful period began in the mid-twenties and he continued to write successfully until the mid-fifties. He apparently wrote his last song in 1958 and died in 1964. So nearly all of Cole Porter's classic songs pre-date this album, recorded early in 1956, but there was at least one more great song that came too late for Ella to consider for inclusion here, that song being True love. That classic apart, I spotted one obvious omission - My heart belongs to Daddy. I'm sure that there are plenty of great Cole Porter songs that didn't make the final selection for this album, and if I looked through my CD collection I'd find some of them, but I certainly have no complaints about any of the tracks chosen.
Among the Cole Porter songs here that you may recognize, whether or not you've heard Ella's own versions, are Anything goes, Miss Otis regrets, Too darn hot, I get a kick out of you, Always true to you in my fashion, Let's do it let's fall in love, Ev'ry time we say goodbye, Begin the beguine,, I love Paris, It's alright with me, It's de-lovely, Night and day, I've got you under my skin and Don't fence me in.
Richard Rodgers started his song writing partnership with Lorenz Hart while still a teenager. Following the death of Lorenz in 1943, Richard teamed up with Oscar Hammerstein but those songs, though described in the liner notes, are not featured here. For this album, Ella focused exclusively on the songs that Lorenz co-wrote with Richard. Perhaps for that reason, the songs featured are, on average, less famous than those on the companion album, but there are still plenty of classics here. I didn't notice any major omissions, though there are plenty of other great songs that Ella was able to choose from.
Among the Rodgers and Hart songs here that you may recognize, whether or not you've heard Ella's own versions, are Dancing on the ceiling, The lady is a tramp, Manhattan, I wish I were in love again, My romance, Where or when, Ten cents a dance, There's a small hotel, My funny valentine, Bewitched bothered and bewildered, Mountain greenery, Lover and (perhaps most famously of all) Blue moon.
With these and the other songbook albums that followed, Ella did much to preserve the legacy of the great composers of the first half of the twentieth century. These recordings stand the test of time well and new versions continue to be recorded, often inspired by Ella`s own recordings.