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In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
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A film that really hit the heartbeat of the time (albeit a sugar coated heartbeat - and what's wrong with that?!), the film achieved a great level of interest before being released on account of the fact that Pearl Jam all cameoed in it - well it was of great interest to me! Of course, once you start to watch the film it's obvious there's a hell of lot more to it than just watching some rock legends smirking around the background.
With great lead performances, although possibly with Campbell Scott playing a little too 'wet', the film is put together so beautifully that time literally flies. The gorgeous Bridget Fonda is, well, gorgeous and the one liners and - by now trademark - directorial flourishes all provide evidence that massively belies the mediocre box office performance of the film at the time.
It's very easy to look at the film after watching Jerry Maguire, Vanilla Sky and then working back, but this film was when Cameron Crowe was still more rock journalist than movie director and his palpable love of the environment and scene of that time, the capturing of a zeitgeist on film showcases a slightly rawer, possibly more excited director.
If you haven't seen it, it's certainly worth a look to see where a lot of today's 'quirky rom-coms' got their inspiration from.
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