Product details
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| Disc: 1 | |||
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| 1. Boys Keep Swinging | |||
| 2. The Affectionate Punch | |||
| 3. Tell Me Easter's On A Friday | |||
| 4. Kites | |||
| 5. Q Quarters | |||
| 6. Kitchen Person | |||
| 7. A | |||
| 8. Message Oblique Speech | |||
| 9. White Car In Germany | |||
| 10. Party Fears Two | |||
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| Disc: 2 | |||
| 1. A Matter Of Gender | |||
| 2. Those First Impressions | |||
| 3. Waiting For The Loveboat | |||
| 4. Breakfast | |||
| 5. Take Me To The Girl | |||
| 6. Heart Of Glass | |||
| 7. Country Boy | |||
| 8. Fever | |||
| 9. Fire To Ice | |||
| 10. Waiting For The Loveboat | |||
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Review For a start, this singles collection tells us how little things like "credibility" and "authenticity" matter, since the moment the band abandoned theirobscureelectronicafor the pop ecstasy of 1982's "Sulk" was the moment their blatant but latent genius finally flowered.
At the same time it demonstrates how important it is to stay true to artistic instincts. The ramshackle electro-dirge of 1981's "Tell Me Easter's On A Friday" will always be more fascinating than something as super-processed and blatantly commercial as 1984's vile attempt at soul, "Those First Impressions". And the fact it failed is proof that the British record buying public has rather better taste than many journalists would have us believe.
Singles also reminds us of how there is little lonelier in pop than a truly great voice in search of a truly great song, as David MacAlmont knows well. To say Billy McKenzie had a great voice would be to understate. His voice was so spectacular, so emotional and soaring, that it alone could make the listener feel the thrill of being alive. It is one of pop's greatest secrets.
What McKenzie did not have in his career was a wealth of great songs. The best were the most successful, the deranged melodic overdrive of "Party Fears Two" and the vicious, addictive "Country Club". These songs remain as incredible and enthralling as they ever did and pop would be much the poorer without them.
Elsewhere there is the wonderfully sinister stomp of "White Car In Germany" and the velvety melancholy of "Breakfast", but sadly little McKenzie wrote after 1984 was good enough for that voice (that voice!). The result is a collection that is a mix of extraordinary highs and the occasional low.
McKenzie tragically died by his own hand in 1997 but there is more life in these songs than most people ever live. Thank you Billy. --Jaime Gill
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Not everyone will have Popera, which was an earlier Associates retrospective that is now sadly unavailable, but 'singles' is a worthy replacement, where popera failed on poor sleeve notes, 'Singles' is a joy to behold, carefully,thoughtfully and lovingly put together. Sure there will be the pedantic souls out there that bemoan the single-edit nature of this track and that track, but that should only serve to feed the curiousity of anyone who hasn't got the original albums to go seek them out and discover even more just how wonderful this band, and in particular this singer were (and still are).
The songs I would like to have seen included are 'In windows all' and the original of 'Even dogs in the wild' (not the poor by comparison remix version. In fact the latter does point to a glaring omission in the Associates back catalogue, that being the original version of 'The Affectionate Punch' (The one with Billy and Alan Rankine on the circuit track in the pouring rain) It's the great lost associates album (Which used to be the glamour chase before it finally got a long overdue release). Hopefully one day the master tapes will surface and we will finally get a CD release of the superior version of this album, instead of the inferior remix version that was released on Fiction.
Overall if you're a Billy/Associates fan you won't mind paying for this, Just having the pleasure of hearing THAT VOICE again is reason enough to pay the money for this collection, If you are new to Billy's work then this will take you further into his back catalogue and give you pointers as to what to buy (Just buy the lot, you won't be disappointed). It's good to see 'Kites' and the alternative version of 'A' on here as well. The songs he did with Yello and Apollo 440 didn't make the grade because it is an ASSOCIATES anthology and not a tip of the hat to those aforementioned bands, even if the material Billy performed with them is well worth checking out, especially the heartbreakingly beautiful, 'The pain In Any Language'. Billy did a vast amount of extra curricular work outwith the boundaries of the Associates and all of it is well worth checking out, even if it is extensive) I suggest checking out his collaboration with Barry Adamson and his work with Loom to name but two.
But I digress.....
'Singles' is a worthy addition to any record collection, Just sit back and listen to the man who had the Opera, The Popera and possibly the greatest voice ever to grace the music industry. Don't look for the flaws, Billy was bogged down by people picking holes in his work and by Record Company politics over the years. He was a perfectionist,an expressionist and a genius all rolled into one.
Buy this record, take it home and just enjoy the man, the music and the legend that was Billy Mackenzie, God truly has the voice of an angel by his side now. may he rest in peace.
The first disc has been released before- most of it found on Double Hipness, The Affectionate Punch, 4th Drawer Down & Sulk- though A/Punch isn't on CD at present, so it's a bonus to have the title track & A from that release (though the 1990 compilation Popera lists other single releases from A-Punch original/remixed: Even Dogs in the Wild!!!! (the 1982 remix of A Matter of Gender opens the second side). The first disc doesn't offer much not found on the 4th/Sulk reissues of 2000, the rarities here being restricted to the great cover of Kites (under their 39, Lyon Street pseudonym) & the poor Ice Cream Factory single. I'd wait for a reissue of The Affectionate Punch and pick up the budget-priced 4th Drawer Down and Sulk instead (really, you should have them anyway at this point in time!). It must be added that all the versions here are the single edits, which spoil things a bit...
The second disc, after Gender, hits a trio of great post-Rankine singles: Breakfast, Those First Impressions, & Waiting for the Loveboat. Then again, Perhaps was reissued a few years ago with The Glamour Chase, so what's the point? (Take Me to the Girl, that shoddy cover of Heart of Glass & Country Boy was also on Perhaps/Glamour) & why are we missing the Yello-collaboration The Rhythm Divine- which made the Popera-set????? The singles from Wild & Lonely are great, even with the wrong production, though the inclusion of the remixed Loveboat is unnecessary and takes the space that could have been given to something else. Baby & Colours Will Come are about the best tracks on Outernational, which ought to be reissued too...
So- a disappointing collection marred by it's singlecentric view. There are many great LP tracks not here (Transport to Central, Logan Time, Skipping, 13 Feelings) & joys like Pain In Any Language (with Apollo 440) and the posthumous-trio (Beyond the Sun, The Memory Palace, Eurocentric) are passed over. I'd like to see each LP reissued with the kind of detail of Mike Dempsey's takes on 4th and Sulk. Then I'd like to see a definitive Associates/Billy Mackenzie box-set; this, while full of great music, is a bit obvious. I mean, why edit White Car in Germany?- it's like ripping Lolita in half...
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