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Product details
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| 1. Let Love Be Your Energy |
| 2. Better Man |
| 3. Rock DJ |
| 4. Supreme |
| 5. Kids |
| 6. If It's Hurting You |
| 7. Singing For The Lonely |
| 8. Love Calling Earth |
| 9. Knutsford City Limits |
| 10. Forever Texas |
| 11. By All Means Necessary |
| 12. The Road To Mandalay |
Review Neither, probably – it just looks good to have a number of Robbies celebrating the winning of some cup or other. Look at it, instead, as a way of expressing the man’s wealth and acclaim. Previous album I’ve Been Expecting You might’ve been a fully warts-and-all affair, peppered with close-to-the-bone lyricism revealing an artist questioning the rights and wrongs of his chosen calling, but it was a major success. And the fame must’ve gone to his head like never before, as Sing When You’re Winning’s more bombastic moments play out like a boastful child’s my-dad’s-better-than-your-dad posturing, a brash confidence at odds with collaborator Guy Chambers’ attempts to conjure some of the magic that characterised its predecessor. Supreme comes close to matching the atmosphere of No Regrets, but blows its chances with a painfully out-of-place rap.
Elsewhere, Rock DJ throbs with an electricity capable only of powering the weakest remote control racer, for all of seven minutes – a number one it might’ve been, but much of the track’s success was thanks to its inverted-commas controversial video, which won an MTV award for its effects but found itself banned, in its original, flesh-ripping form, in many territories. Knutsford City Limits is a dull explanation of how Robbie won’t change despite the all the commendations and criticisms to come his way, all dreary beats and sluggish guitar, and Forever Texas is an unwise bar-room blues number with all the repeat-play appeal of a four-hour Billy Ray Cyrus set.
The tender mid-section tracks If It’s Hurting You and Singing For the Lonely are pleasant diversions from the bluster that surrounds them, but focus had evidently slipped for this long-player. Not that its shortcomings prevented it from being the first of Williams’ albums to truly make an international impression. --Mike Diver
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However, once you're past the initial sense of disapointment more subtle gems begin to appear. Supreme has just the right mix of sarcasm and hope to touch a nerve. Rock DJ and Kids stick in your mind more resolutely than the first listening might suggest, and the album as a whole improves with repeat play.
Lacks the WOW factor of previous releases, but still delivers the goods.
The album on the whole is very good, and definitely shows a more mature Robbie. This album is an improvement on the last, just as 'I've been expecting you' was an improvement on 'Life thru a lens' (all have been very good albums though!) The duet with Kylie is unexpected, but great.
The one downside to this otherwise brilliant album is its lack of tracklistings on the rear of the CD case, but with a bit of a creative mind, there are ways around this.
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