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Silver Cycles
 
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Silver Cycles

14 April 2009 | Format: MP3

4.99 (VAT included if applicable)
Buy the CD album for 6.71 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
3:19
30
2
4:28
30
3
3:02
30
4
4:12
30
5
3:02
30
6
5:52
30
7
5:30
30
8
2:56
30
9
6:37

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Product details

  • Original Release Date: 26 July 2005
  • Release Date: 26 July 2005
  • Label: Rhino Atlantic
  • Copyright: 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 38:58
  • Genres:
  • ASIN: B001F3KYZW
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 223,573 in MP3 Albums (See Top 100 in MP3 Albums)

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Glenn TOP 1000 REVIEWER on 27 Dec 2011
Format: MP3 Download
The album begins with a Latin American vibe, and remarkably traditional sound, on 'Free At Last', led off as it is by percussion and piano. Harris comes in to ride the melody in light staccato bursts, so very much a pop opening to an album that gets groovier as it progresses. Next track '1974 Blues' is more a big brass band number and is again quite pop-blues in its melody and Harris' playing. It's third track 'Smoke Signals' that takes off for me, with Harris playing his electric saxophone, using a Maestro amplifier and Echoplex, the latter to get the same echo and loop effect John Martyn did on guitar. There is an amazing amalgam of this psychedelic sound and an ethereal female vocal chorus that sounds like a Star Trek theme being sung in tandem with Harris' actual far-out playing. Fourth track 'Coltrane's View' is another gem, and Harris' straightforward [excuse the oxymoron] playing of the Coltrane sound is a tribute indeed: brooding and building to an insistent free-form blow out. Fifth track 'I'm Gonna Leave You By Yourself' exemplifies the album's eclecticism, with a soul-groove supported by uptempo orchestration and vocal backing chorus. This leads into the title track where the opening bass is put on a loop leading to simple percussive beats, including hand claps, until Harris' Varitone gently adds its own pulse of repeated lines, pushing these to the top register to squeal out in their echoing. The bass and percussive stabs continue throughout, until the baritone notes [electrically generated?] come in to ride out the background swirling. Seventh 'Little Bit' is a fast number with Harris again on electric saxophone and, as the album liner notes state, 'it is therefore possible to play new melodies over the basic motif recorded previously.Read more ›
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