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Silent Stars [Paperback]

Jeanine Basinger
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

30 Nov 2000
From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten.

Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin.

This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.
--This text refers to an out of print or unavailable edition of this title.

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Product details

  • Paperback: 497 pages
  • Publisher: Wesleyan University Press (30 Nov 2000)
  • Language: English
  • ISBN-10: 0819564516
  • ISBN-13: 978-0819564511
  • Product Dimensions: 17.8 x 2.6 x 23.5 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 287,135 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews
41 of 41 people found the following review helpful
5.0 out of 5 stars full marks! 4 Aug 2004
By S. Hapgood VINE™ VOICE
Format:Hardcover
This book was very much a labour of love for Ms Basinger, and it shows, as it's a simply gorgeous read. The author does an in-depth analysis of many Hollywood actors of the 1920s who, these days, rarely are remembered, let alone given the credit that is their due. She divides the book into types of actors, and this works very well, so for instance we get the cowboys, the flappers, the magnificent femme fatales (the successors to the vamps) etc. Some actors, such as Mary Pickford, merit a chapter to themselves, and deservedly so. Basinger reminds us that Pickford wasn't simply a grown woman who specialised in playing little girls (or sometimes little boys) with lots of curls, but a hard-nosed and extremely astute businesswoman, who set up her own production company, in an era when it was virtually unkown for a woman to do such a thing, and had been supporting her entire family since she was 6-years-old.

Basinger delights in bringing out another side to the actors, for instance Gloria Swanson, who had a magnificent and regal public image, was also a highly-skilled comedian, and could do physical slapstick comedy on a par with Chaplin (who she of course impersonated brilliantly in "Sunset Boulevard"). Marion Davies has had a rough press in showbiz history, (largely "thanks" to Orson Welles' "Citizen Kane") dismissed as Randolph Hearst's pampered mistress. In fact she was a brilliant comic actress who could, arguably, have gone a lot further WITHOUT Mr Hearst's support. Hearst often objected to what Marion was expected to do in films, wanting to keep her as a pretty, serene woman. For instance, he vociferously refused to let her be hit with a custard pie in "Show People". Marion got round it by distracting him off to a business meeting the day it was to be filmed, and was squirted with a soda syphon instead! A high note is Basinger's tribute to the Mack Sennett slapstick movies (the ones that brought us the Keystone Kops). For an academic Ms Basinger shows a shrewd understanding of what makes physical comedy works, and how the gusto with which it was done during the silent era would be nigh-on impossible to do now. The actors were simply more at ease with their own bodies, and also, many of the comedians had actually been real clowns.

She also naturally shows the downside to Hollywood, how the very first movie star, Florence Lawrence, the Biograph Girl in 1908, eventually committed suicide by eating ant paste, and Mabel Normand, the slapstick queen who lived her private life as frantically as a Keystone Kops chase, eventually burnt out and died at the tender age of 37. In spite of all that though you come away with the impression that making movies in those days was a heck of a lot of fun. Clara Bow is reputed to have said towards the end of her life that stars today (she was talking in the 1960s) had a much better chance of keeping their health, their sanity and their security, but, she concluded, "we had a lot more fun!"

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5.0 out of 5 stars silent movie literary classic 8 Mar 2013
Format:Paperback|Amazon Verified Purchase
This has to be the best book about silent movies in Hollywood since Kevin Brownlow's 1969 masterpiece 'The Parades Gone By'.Basinger knows her subject and her enthusiasm comes across on the printed page in a highly readable fashion. The near 500 pages are lavishly illustrated. In discussing the careers of some 20 or so stars ranging from Rin Tin Tin through the Keystone Kops to Mary Pickford we gain a real insight into the workings of early Hollywood. Well worth seeking out for anyone interested in the period. Incidentally, her later companion volume 'The Star Machine' which looks at the studio system in the 30's and 40's is even better and has career profiles of many overlooked stars such as Eleanor Powell, Tyrone Power, Loretta Young and Irene Dunne among others.
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Amazon.com: 3.9 out of 5 stars  20 reviews
20 of 20 people found the following review helpful
4.0 out of 5 stars Enthusiasm Means A Lot 6 Jun 2000
By A Customer - Published on Amazon.com
Format:Hardcover
Jeanine Basinger's premise is to explore the silent cinema through the stars who are either forgotten or misunderstood by today's film buffs, but she succeeds only partially, mainly because most people have some kind of concept of who these people were. What she is really trying to do is de-bunk the stereotypes that the modern world holds on those who were the pioneers in creating the matinee idol. For example, say Rudolph Valentino and you think latin lover. Say Douglas Fairbanks and you think swashbuckler. Ms. Basinger's point is that there was a lot more to these and the other actors she profiles and she makes a good argument by backing up that premise with examinations of the complete filmographies of these stars, rather than simply focusing on the more well-known ones.

One of the things that comes across immediately is that Ms. Basinger is a big fan, and she presents her writing as much from a fan's perspective as a critical or historical point of view. However, where Ms. Basinger does herself in is by letting herself gush too much. Bringing something personal to the table is not necessarily a bad thing, and it's kind of nice to see that she's so ardent in her work. Her problem in trying to write in a more familiar manner is a disservice to her overall work. She takes the reader out of the stories she is telling, which are mostly very enjoyable and compelling, by interjecting her own sly comments. Besides that, it's still worth appreciating the variety Ms. Basinger provides as she discusses the flappers, cowboys, romantic leads, cosmopolitan women (Gloria Swanson), action stars (Douglas Fairbanks), character actors (Lon Chaney) and even Rin Tin Tin.

Silent Stars is a great read if you have any kind of love of film or history. Ms. Basinger does a nice job of putting her characters in the context of the times and generally painting full pictures of them as individuals. The writing can be a lot more dense than a straight history of silent film, so it takes about two chapters to get used to it. Ms. Basinger has also had the opportunity to view prints of many of the films she writes about and those passages are clearly more illuminating than when she has to rely on other secondary sources to get her information. It's truly remarkable to remind yourself as you go along that no one had ever really known what it meant to be world famous and instantly recognizable before these silent film stars reached the peaks of their popularity. I almost think people like Tom Cruise or Julia Roberts should read this book just to get an idea of what it REALLY means to be famous. She also demonstrates some strong conclusive reasoning in her epilogue about the arrival of sound and why some stars faded and others thrived. All told, it's worth the read if you can stand the cheerleader aspects of it.

16 of 17 people found the following review helpful
4.0 out of 5 stars Welcome Addition to Silent Film History 19 Dec 1999
By Deborah Anderson - Published on Amazon.com
Format:Hardcover
Jeanine Basinger has produced a lovely, thoughtful, well-written volume to add to the body of work on silent film. She showcases sixteen silent performers (including one dog), whom she believes are noteworthy and in most cases underappreciated, or even unknown today. In the ranks of the known but underappreciated are Pickford, Fairbanks, Swanson, Valentino and Chaney, and I believe that she makes her case for their inclusion. [Only Pickford has been the subject of (several, excellent) recent books.] I was happy to see material on Mabel Normand, the Talmadge sisters, Pola Negri, Marion Davies, and Colleen Moore, among others. And the chapter on Rin-Tin-Tin was delightful. When was the last time you thought about him?

Yes, the tone is uniformly passionate and admiring. Basinger is an advocate, and dare I say fan? But she's exceedingly good at linking history of the times with the work; summarizing the films, and hitting the high spots. I couldn't have gushed any better on the subject of Fairbanks myself. (And thanks for including a treatment on THE NUT, my all-time favorite Fairbanks film.)

There are small errors throughout, that you would have thought an astute preview reader or editor would have caught, but I can't say that they seriously detract from the pleasure of reading this book.

Now, Ms. Basinger, how about a series?

23 of 26 people found the following review helpful
5.0 out of 5 stars Among The Great Books On Silent Film 21 Feb 2000
By John McElwee - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
I love silent films,and Jeanine Basinger has given us a work that ranks at the very top for me---right alongside Kevin Brownlow's "The Parade's Gone By",Bill Everson's "American Silent Film",and Walter Kerr's "The Silent Clowns".Honestly, I carried Jeanine's book around with me for days until I'd read it from cover to cover---my only regret was she didn't give us another thousand pages on another hundred stars---that's how good it is.Unlike so many latter day academics and historians,this writer actually enjoys the films and personalities she writes about,and her enthusiasm is infectuous---and no,this isn't just fan worship on her part---Basinger has clearly spent a lifetime pursuing the study of silent film,and her insights reveal a maturity and appreciation for this vanished era that could only come from someone who has truly devoted herself to the subject at hand.There aren't many film scholars operating at this level---believe me, I've endured the agonies of overpriced,University press offerings for too many years---"Silent Stars" is one in a thousand.If you care anything about this era and the people who enriched it,order this book today.It'll be the best money you've spent this year.
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