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Whereas early singles like "She's Hearing Voices" found the band still attempting to chisel their own image out of familiar post-punk reference points The Fall, Joy Division, and Gang Of Four, to name but three newer tracks such as "Like Eating Glass" and the prickly "Price Of Gas" find Bloc Party pioneering a freshly-minted template of staccato percussion, expansive soundscapes, and cryptic lyrics that artfully straddle the political and the personal. Russell Lissack has forsaken that overdone hallmark of post-punk, brittle tortured-fretboard skronk, in favour of an effects-laden guitar sound that adds genuine prettiness to Bloc Party's edgy rush. But it's Kele Okereke's vocal that's the band's most flexible facet, morphing from frothing anger to breathless desperation. "Are you hoping for a miracle?" he bays, on "Helicopter". Yes? Well Silent Alarm ably fits the bill. --Louis Pattison
They have better riffs than Franz Ferdinand. Their songs are not boring simplicities like Kaiser Chiefs. The album is not a few good singles and then filler, like Maximo Park. In short, Bloc Party are the only real deal.
The reason why I have made the claims above is in the music. Bloc Party have created songs that weave intelligent and musically charming guitar lines in and out, creating a tapestry of sound. The drummer, with drum'n'bass influences no doubt, adds something extra: if ever there was a drummer who wasn't just 'the drummer in that band', Matt Tong is it. He is his own unique part of this incredible four-some. Equally, bassist Gordon Moakes plays an important part as well, not least on album opener Like Eating Glass, with its jumpy rhythic bass riff.
Lyrically, on first listen one might be forgiven to think that the lyrics are simply random sentences thrown together. It requires more than a casual listen to really hear and digest the lyrics. It helps, in fact, if you read them on their own: for one thing, the messages hidden within are fairly cryptic, and for another, some of the words sound like something difference (take for instance the 'red pill blue pill' line in She's Hearing Voices. It sounded like 'Don't whack no bleep don't whack no bleep' to me!)
What is quite astonishing about Bloc Party and this album is the shimmering quality throughout. Everyone recognises the singles: Banquet, Helicopter and the delectable So Here We Are.
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