First published in 1968, when I was nought but an
idealistic whippersnapper, John Cage's 'Silence', a
collection of his lectures and writings, has found its
way back once again into my hairy paws. The intervening
four-and-a-bit decades have done little to diminish its
many charms. (My first encounter with the book in the
local public library resulted in my renewing it repeatedly
for several months until I had absorbed and digested
almost every single word!)
Whether or not you have an appetite for Mr Cage's
uncompromising sonic contributions to the listening world
there is much, nonetheless, to be enjoyed within these pages.
His playful and mercurial nature is evident throughout.
Whether in dense, partly chance-determined, narrative
constructions such as the infuriatingly single-minded
'Composition As Process' and '45' For A Speaker'; or the
delighfully anecdotal stories organised into the temporal
structure of 'Indeterminancy' ( A work he also recorded with
his friend the pianist David Tudor and available on the
Smithsonian Folkways label) his vision is never less than clear.
His thoughts on the development of "experimental" music in the
US, as a challenge to Europe's Second Viennese School legacy
are as refreshingly confrontational as they are enlightening!
A highly stimulating read for anyone with an open mind and ears.
Highly Recommended.