- Paperback: 314 pages
- Publisher: Verso Books; Second edition edition (21 Oct 2005)
- Language English
- ISBN-10: 1844670562
- ISBN-13: 978-1844670567
- Product Dimensions: 19 x 13 x 2.5 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 845,712 in Books (See Top 100 in Books)
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"A sheer intelligence animates the pages of Mr Moretti's work." -- Edward W. Said, New York Times Book Review "Breathtaking ... Moretti's radiant intelligence can catch you off guard." - San Francisco Review of Books
Edward W. Said, New York Times Book Review
‘A sheer intelligence animates the pages of Mr. Moretti’s work.’
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback
In the striking final chapter of this book, and further developed in several essays since, Franco Moretti proposes a theory of literary evolution inspired by Charles Darwin. As is well known, Darwin's theory of `natural selection' has two key components: first, it postulates that change is random, more prone to failure than to success, and not the unfolding of a teleological process progressing towards some final form of perfection (humans are not more perfect than the humanoids they evolved from); second, it postulates that only those changes which give the creature a reproductive advantage in a given set of external conditions survive (survival of the fittest means survival of the fastest reproducer). Adapting this to the needs of literary history, Moretti renders `natural selection' as follows: (1) aesthetic variation is the product of chance; and (2) the literary marketplace determines which formal variations survive. In later works, Moretti brings in `world-systems' theory to account for the peculiarities of the market, thus departing from his initial quite strict focus on Darwin, but nevertheless maintains the original evolutionary model conceived here. The other striking piece in this work is the essay on Dracula and Frankenstein -- Moretti argues quite brilliantly that these novels reflect two different perspectives on apital -- that of owners and that of employers.
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2 reviews
16 of 20 people found the following review helpful
fantastic insight into the European novel
23 Jun 1999
Format:Paperback
All of Franco Moretti's in-class charm and wit is demonstrated in this series of essays on various forms of the European novel. He does a fantastic job of legitimizing not only popular texts, such as Dracula and the Sherlock Holmes series, but also the field of literary criticism itself. He makes a compelling argument for not only the profound effect that society has had in forming literary trends, but also literature's role in shaping society. His essay on Tragedy in Elizabethan and Jacobean drama contains some particularly fascinating insights into this phenomenon. While written in a colloquial tone, some essays can come across overly mandarin at times. Get through the first and most difficult essay, 'The Soul and the Harpy', and the rest will be smooth sailing. He makes his field seem almost, dare I say, 'cool'.
2 of 2 people found the following review helpful
Evolutionary Theory and Literary History
13 Nov 2010
Format:Paperback
In the striking final chapter of this book, and further developed in several essays since, Franco Moretti proposes a theory of literary evolution inspired by Charles Darwin. As is well known, Darwin's theory of `natural selection' has two key components: first, it postulates that change is random, more prone to failure than to success, and not the unfolding of a teleological process progressing towards some final form of perfection (humans are not more perfect than the humanoids they evolved from); second, it postulates that only those changes which give the creature a reproductive advantage in a given set of external conditions survive (survival of the fittest means survival of the fastest reproducer). Adapting this to the needs of literary history, Moretti renders `natural selection' as follows: (1) aesthetic variation is the product of chance; and (2) the literary marketplace determines which formal variations survive. In later works, Moretti brings in `world-systems' theory to account for the peculiarities of the market, thus departing from his initial quite strict focus on Darwin, but nevertheless maintains the original evolutionary model conceived here. The other striking piece in this work is the essay on Dracula and Frankenstein -- Moretti argues quite brilliantly that these novels reflect two different perspectives on apital -- that of owners and that of employers.
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