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Sightseeing [Paperback]

Rattawut Lapcharoensap
3.7 out of 5 stars  See all reviews (7 customer reviews)
Price: £7.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 224 pages
  • Publisher: Atlantic Books; New edition edition (13 April 2006)
  • Language English
  • ISBN-10: 1843543729
  • ISBN-13: 978-1843543725
  • Product Dimensions: 19.4 x 12.8 x 2.6 cm
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 182,444 in Books (See Top 100 in Books)

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Rattawut Lapcharoensap
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Review

"'It's a wonderful read - part Paul Theroux, part Haruki Murakami - and I confidently predict its author will be a big star.' Giles Foden, Conde Nast Traveller 'Dense with event, emotion and meaning... a fine achievement.' Guardian 'Deserves to be acclaimed from the rooftops' Publishing News '[A] genuine talent... [He] has a gift for the detail that catches not only his Thai milieu but teenage life everywhere' New York Times Book Review"

William Sutcliffe, Guardian

'This debut show more than mere promise: it is a fine achievement in its own right.' --This text refers to the Hardcover edition.

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Customer Reviews

Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Paperback
I am sorry the previous reviewer didn't enjoy these short stories. This is the first time I have felt compelled to write a review on Amazon as I would hate people to miss out on this book of unique stories. I have lived in Asia for a number of years and found these stories made subtle yet profound comment on the state of East meets West as well as Thai society. The previous reviewer is right these stories do not have a conventional beginning middle and end but they are eloquent observations of everyday life with their own starting and finishing points. The final story Cockfighting shows a grasp of writing suspense beyond most authors. I don't think a knowledge and experience of Asia is a pre-requisite to enjoy this book it does certainly open deeper layers to the stories but don't miss out the opportunity to read a wonderful new author. I would reccommend this to any backpackers about to visit Thailand who would like an insight to young Thai culture beyond the stereotypes.
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10 of 11 people found the following review helpful
By A. Ross TOP 500 REVIEWER
Format:Hardcover
Although translated fiction from Thai writers remains almost completely unavailable in this country, this debut collection of short stories (Some of which appeared in publications like Granta and Zoetrope) from a young Thai-American writer offers at least a partial insiders view of a country best known as a tourist destination. The cultural collision between rich Western countries and developing countries is a recurring theme in literature from the non-Western world, and all too often the indignation and anger this arouses overpowers the storytelling. Here, however, Lapcharoensap manages the tricky task of balancing the characters and stories with his need to critique the effects of globalization. And in doing so, he always manages to bring modern Thailand to life, making it an integral part of each story, rather than an exotic backdrop.

The opening story, "Farangs" (Foreigners), sets the tone of the relationship between West and impoverished East, as a teenage Amerasian narrates the simple story of meeting an American girl on holiday. He has fond memories of his long-gone American G.I. father, who gave him a pet pig named Clint Eastwood before leaving. The girl represents the unattainable world his father inhabits, and while he can taste it, the ending shows he will never be a part of it. There's a very nice moment in the story that captures its essence, when the very literate boy recounts his offer to correct a misspelled sign for an elephant hire service, only to be told to leave it alone, as the foreigners find such mistakes charming. In another, more pointed anecdote, he recounts how he used to climb coconut trees for small change from tourists, making monkey noises.

In "At the Café Lovely", the narrator is another fatherless adolescent boy. Here, instead of searching for love in the eyes of American girls, he looks up to his teenage brother. In the most overt metaphor in the book, their father died when a crate of cheap toys destined for America fell and crushed him. In case the reader misses the point, it's reinforced later when the kid gets taken to a newly opened and very expensive McDonalds by his brother. Dressed in their best clothes for this visit to the temple of Western taste, the outing turns into a debacle when the young boy can't stomach his first hamburger and vomits. Most of the story is about the love between the two brothers, and it ends up on a hauntingly poetic note, as they speed home from a bar/brothel on a motor scooter with the younger brother driving for the first time.

"Draft Day" is a pretty short and straightforward expose of the national service lottery every teenage Thai male must take part in. Two friends of different backgrounds go forth, one has had his draw "fixed", the other hasn't. Even with a limited story to tell, Lapcharoensap manages to create a vivid scene and strike a chord with the reader. "Priscilla the Cambodian" is also about class differences within Thailand, although here the split is between native Thais and Cambodian refugees. The story follows two young boys who live in an unfinished middle-class development adjacent to a tiny refugee shantytown. They become friends with a ferocious, goldtoothed tomboy refugee girl named after Priscilla Presley and learn that the refugees aren't awful people. The story ends on a rather dark note, as the local Thai men get all worked up and torch the shantytown.

"Sightseeing" is about the relationship between a young man about to go to college and his mother, who is suddenly going blind. They embark on a last vacation together, so she can finally see the "paradise" that all the foreigners come to visit. It's a fairly sentimental and poignant story, but didn't connect with me as much as others. "Don't Let Me Die Here" is another story about the parent/child relationship, but in this case the narrator is an infirm old American man who's been moved to Thailand to live with his son and his family, including a Thai wife and grandchildren. As the only story narrated by a complete outsider, it feels somewhat out of place and doesn't have the subtlety that the others stories exhibit. Still, the ending scene at a fairground bumper car ride leaves a vivid and uplifting image.

The final story, "Cockfighter", is novella-length, and the only piece narrated by a female. The girl's father is a villager who is engrossed in cockfighting and does reasonably well at it. However, when he beats the psychotic son of the local strongman, things take a turn for the worse. Soon, a Filipino cockfighting expert is brought in, and the father's pride leads the family to catastrophe. The increased length only serves to draw events out longer and doesn't add a great deal to the proceedings. As a whole, however, the collection is outstanding for the freshness of the characters, the humor throughout, and moments of unexpected emotional resonance. The stories capture the small struggles of daily life in Thailand without ever lapsing into despair and stress the importance of family. Deserves to be read by every tourist headed to Thailand and every fan of the short story.

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1 of 1 people found the following review helpful
By C. O'Brien TOP 1000 REVIEWER VINE™ VOICE
Format:Paperback
In At the Café Lovely, a teenager takes his little brother to a burger joint for a birthday treat. The day ends badly; unused to mass-produced grease, the junk food makes him sick "all over that shiny American lineoleum". It's typical of the queasy clashes between Thai culture and western influence which inform this powerful collection of short stories. For the memorable characters who move through these tales, westernisation has turned their home into a theme park for rich farangs, a "paradise" where the reality of poverty and degradation are hidden behind the scenes.

Lapcharoensap is strongest in his depiction of numinous details, often pointed up by iconic references to western brands: the valiant Armani sunglasses worn by a woman who cannot afford surgery to save her sight, the Budweiser bikini worn by a fickle American tourist as she breaks a young boy's heart, a playful pig named Clint Eastwood.

Not every story is told through Thai eyes; Don't Let Me Die In This Place explores the loneliness of a sick old American dependent on his expat son and his Thai family, desperately trying to connect with his "mongrel grandchildren" and an alien culture.
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