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Kierkegaard (1813-55) was born in Copenhagen, the youngest of seven children. His childhood was unhappy, clouded by the religious fervour of his father, and the death of his mother, his sisters and two brothers. Educated at the School of Civic Virtue, he went on study theology, liberal arts and science at university, gaining a reputation for his academic brilliance and extravagant social life. He began to criticize Christianity, and in 1841 broke off his engagement to concentrate on his writing. Over the next ten years he produced a flood of works, in particular twelve major philosophical essays, many written under noms de plume. By the end of his life he had become an object of public ridicule, but he is now enjoying increasing acclaim.
Alastair Hannay was educated at the Edinburgh Academy, the University of Edinburgh and University College London. In 1961 he became a resident of Norway and is now Emeritus Professor of Philosophy at the University of Oslo.
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As you may have guessed by the title, this is not to be an uplifting book. Kierkegaard will never be mistaken for Robert Schuller - that much is for certain. In it, the Danish philosopher (generally considered the father of existentialism) grapples with guilt. Not just anyone's guilt, either, but Soren Kierkegaard's guilt. In page after page he discerns how man's sinful nature is corruptive to his relationship to God. What is worse, no matter how hard he tries, he can't stop sinning any more than he can consciously stop breathing.
Kierkegaard then looks up from his desk and wonders why all those so-called Christians out there aren't doing the same thing that he is. The Dane is introspective, to say the least, and the nucleus of his thought emanates from Socrates' words at his trial, as recorded in Plato's APOLOGY:
...I say again that the greatest good of man is daily to converse about virtue, and all that concerning which you hear me examining myself and others, and that the life which is unexamined is not worth living
- Plato, APOLOGY, Trans: B Jowett
Here is a great man's attempt to follow the dictum of Socrates, and examine his own life. In this sense, THE SICKNESS UNTO DEATH is comparable to St. Augustine's CONFESSIONS, albeit a bit on the morbid side.
One of the Dane's favorite metaphors was of driver falling asleep at the reigns of his wagon. So too did K believe that that is how most of us live our lives. With this in mind, it is not surprising that he anoints this work as an "awakening" for his readers.
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