Although Henning Kraggerud, a young Norwegian violinist, is clearly a marvelous musician and a nifty technician as well, this recording of the much-recorded Sibelius Violin Concerto, in spite of a very nicely judged opening, remains rather undercharacterized, even pallid. The second movement is done best, and strangely enough it seems more energized than the quicker outer movements. The third movement, which ought to sizzle, simply doesn't. The soloist, by the way, is playing the Guarneri violin and Pierre Simon bow owned and played by Ole Bull, his great 19th-century Norwegian predecessor.
The Sinding Violin Concerto, which I'd never heard before, is fairly middle-of-the-road late German romantic in style and although all the right moves are there, it is let down by its undistinguished melodies. The first theme of the first movement is memorable, but it's downhill after that. One keeps thinking the piece is building to one of those glorious tunes we associated with, say, Bruch or Brahms, and then it never happens. This is an example of a composer with more craft than inspiration.
Included to fill out playing time on this CD are two short violin and orchestra pieces, one by each composer--Sibelius's lovely 7-minute 'Serenade in G Minor, Op. 69b,'(the second of his two Serenades) and Sinding's never-before-recorded 'Romance in D Major, Op. 100,' which, for me, is the most memorable Sinding on the program. It reminds me a bit of Dvorák, strangely enough. The Bournemouth Symphony, that yeoman of recording English orchestras, plays well but is slightly recessed in sound. The conductor, Bjarte Engeset, is competent but not outstanding on this disc; it sounds as if he is accommodating his soloist rather too much.
The bottom-line: Not a first pick for the Sibelius. Interesting for those who want to explore the music of Sinding further. Nice contribution by a young (early thirties) and emerging violinist, Henning Kraggerud.
TT=71:08
Scott Morrison