Although Mellon Collie And The Infinite Sadness was more ambitious and diverse, Siamese Dream is arguably the best album in the Smashing Pumpkins catalog. In 1993, the Smashing Pumpkins were probably one of the most original bands of the alternative scene. With incredible soundscapes of guitar distortion, Billy Corgan's impassioned and ethereal vocals, and Jimmy Chamberlain's excellent drumming, these guys had a sound that was nothing like any alternative band of the time. Only My Bloody Valentine's Loveless (released in 1991) with its similar guitar-dominated sound could be considered as an influence, but Siamese Dream has its own distinct impact. My, what a sound. Billy Corgan sounds better here than any other Pumpkins album--on later albums he sounded whiny; here he sounds obscure yet not overly shrill. The guitar playing is incredible (listen to the outro of Rocket) and the music grabs you by the collar and takes you in with its sweeping power. Cherub Rock, with its slowly building opening leading to a bombastic arena rocker, is the perfect start to this album. After that, the double hit of Quiet and Today provides immense satisfaction. After Hummer and Rocket pass by leaving their audio imprint on you, the mood takes a sudden turn with the orchestral and haunting ballad Disarm which leads into the soft rock of Soma. The white-hot rage of Geek USA quickly rips through your ears before yielding to two more wonderful ballads--Mayonaise and Spaceboy. After that, the loud and powerful Silverf--k takes over. Finally, the album ends on a whisper with Sweet Sweet and Luna. You won't be tempted to skip through a single track. Although future efforts were more ambitious, the Smashing Pumpkins never made an album this flawless again. You can't lose by adding this one to your collection. ..By the way, there's nothing really "explicit" about the lyrics. Even Silverf--k contains no profanity, except for the barely audible interludes.