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Amazon.co.uk Review
Based on a 2004 Thai horror flick, this surprisingly effective Hollywood remake is actually set in Tokyo. That's where newlywed hubby Joshua Jackson has taken bride Rachael Taylor (Transformers) for an ill-advised honeymoon. They hit a woman standing in the middle of a spooky road, after which all sorts of ghosts seem to emerge from Jackson's camera (he's come to Japan for a fashion-photography gig). Can our plucky heroine, a fish out of water in a confusing city, find the answer to this haunted puzzle? Well, yes, but she won't like what she finds. Shutter is distinguished by director Mayasuki Ochiai's compositional eye, which favours the empty, creeped-out spaces in which ghosts might dwell. The movie also gets into the phenomenon of "spirit photography," which suggests that the dear departed make their presence known as white flashes in snapshots. That stuff's kind of fun; unfortunately, Ochiai's ear for dialogue is as clunky as his eye is sharp, and Jackson and Taylor are saddled with some truly unfortunate exposition. The actors don't leave much of an impression either, although Megumi Okina (leading lady of Ju-on: The Grudge) is sufficiently spooky as a woman who will not be ignored. --Robert Horton, Amazon.com
Synopsis
Treading territory similar to JU-ON - THE GRUDGE (2003), RINGU (1998), and ONE MISSED CALL (2003), all Asian horror films remade in America, SHUTTER is the first English-language film for director Masayuki Ochiai, whose career has been primarily within the horror genre. The result is another potent ghost story able to conjure up feelings of dread through a single longhaired, poker-faced female apparition. Newlywed New Yorkers Ben (Joshua Jackson, THE SKULLS) and Jane Shaw (Rachael Taylor, TRANSFORMERS) have travelled to Tokyo, where photographer Ben is investigating a potentially lucrative job opportunity. While driving on a dark road at night, the couple runs over a mysterious woman who seems to appear out of nowhere and can't be found after the accident. Over the next few days, Jane goes sightseeing while Ben works, only to see strange apparitions that also appear on the photos she takes. After Ben's photos show the same ghostly forms, he confesses that he knows something about the woman they ran over, but it may be too late to stop her trail of terror.
Another Hollywood remake of an Asian horror film, SHUTTER has a tricky lineage: the 2004 original was made in Thailand, while this version is U.S.-financed, but shot mostly in Japan. By setting the film in Japan, director Ochiai retains an element of exoticism for Western audiences, which also allows Ben and Jane to be out of their element. As the menacing spirit, Megumi, Megumi Okina is adept at conjuring fear with a simple glare in a minimal but effective performance.
Another Hollywood remake of an Asian horror film, SHUTTER has a tricky lineage: the 2004 original was made in Thailand, while this version is U.S.-financed, but shot mostly in Japan. By setting the film in Japan, director Ochiai retains an element of exoticism for Western audiences, which also allows Ben and Jane to be out of their element. As the menacing spirit, Megumi, Megumi Okina is adept at conjuring fear with a simple glare in a minimal but effective performance.
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