Product details
|
Yet for all Scherbakov's mastery, certain dimensions of the music prove elusive. In comparison, Tatiana Nikolayeva on Hyperion delivers far more characterised performances, covering a wider range of moods, and drawing the listener's attention to a wealth of interesting detail that is overlooked by Scherbakov. Adopting generally slower tempi throughout, Nikolayeva builds the quasi-symphonic threads of epic movements such as the concluding D minor Fugue to a more convincing and forceful climax than her compatriot, though. Hyperion's over-resonant sound becomes wearisome after a while.
Performance ****
Sound *****
© BBC Music Magazine 2001
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
I have heard Jarrett's recording of some of these pieces, more than once as well. Although Jarrett is extraordinary talented, there is something lacking in his recording of this cycle, something Scherbakov is able to bring out of his grand piano. I have not heard Ashkenazy's or Nikolayeva's recordings though, but I know they usually gets good reviews. If they are even better than this Scherbakov recording, they must be... just great as well!
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|
|
|