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A thoughtful and accessible study that illuminates the period in a new and colorful way. -- Lynne Truss, Sunday Times
Living in an era of unprecedented prosperity it is interesting, not to mention instrumental, to be aware of how other societies reacted to the onset of a commercial boom. Shopping for Pleasure not only illuminates the growth of late-19th-century London, but it sheds light on our own gratuitously materialistic culture. -- Lucy Moore, Washington Times
'A Pleasure' accurately describes the experience of reading this deft, rich analysis of how the West End became an enticing shopping Mecca for bourgeois women. . . . -- "Choice
A fascinating as well as an erudite book . . .The rise of modern shopping opened the city streets to respectable women, and played a significant role in both feminism and consumer culture -- Elaine Showalter, London Review of Books
The rise of modern shopping opened the city streets to respectable women and played a significant role in both feminism and consumer culture. . . . A fascinating as well as an erudite book. -- Elaine Showalter, London Review of Books
[An] intriguing study. . . . Shopping for Pleasure creatively explores an assortment of conflicts about women's natures and desires that, together, constructed Victorian and Edwardian merchandising and consuming. -- Pamela Walker Laird, Enterprise & Society
In her engaging and intriguing book, Erika Rappaport . . . has done an excellent job of showing how the consumer culture of late nineteenth- and early twentieth-century London was created, in large part, by the emancipated woman's active agency. . . . Rappaport's book is one of those displays that are so attractive and enticing that they leave the insatiable customer wanting even more. -- Theodore Koditschenk, Journal of Modern History
A well-constructed and presented book, making imaginative use of an impressive range of primary and secondary sources. -- Rex Pope, Urban History
Product Description
In Shopping for Pleasure, Erika Rappaport reconstructs London's Victorian and Edwardian West End as an entertainment and retail center. In this neighborhood of stately homes, royal palaces, and spacious parks and squares, a dramatic transformation unfolded that ultimately changed the meaning of femininity and the lives of women, shaping their experience of modernity. Rappaport illuminates the various forces of the period that encouraged and discouraged women's enjoyment of public life and particularly shows how shopping came to be seen as the quintessential leisure activity for middle- and upper-class women. Through extensive histories of department stores, women's magazines, clubs, teashops, restaurants, and the theater as interwoven sites of consumption, Shopping for Pleasure uncovers how a new female urban culture emerged before and after the turn of the twentieth century.
Moving beyond the question of whether shopping promoted or limited women's freedom, the author draws on diverse sources to explore how business practices, legal decisions, and cultural changes affected women in the market. In particular, she focuses on how and why stores presented themselves as pleasurable, secure places for the urban woman, in some cases defining themselves as instrumental to civic improvement and women's emancipation. Rappaport also considers such influences as merchandizing strategies, credit policies, changes in public transportation, feminism, and the financial balance of power within the home. Shopping for Pleasure is thus both a social and cultural history of the West End, but on a broader scale it reveals the essential interplay between the rise of consumer society, the birth of modern femininity, and the making of contemporary London.
ON GUY FAWKES DAY in 1876 an angry mob of retailers staged a charivari in the fashionable shopping promenade of Westbourne Grove in Bayswater. Read the first page
Concordance
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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