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Shiva's Fire [Paperback]

Suzanne Fisher Staples
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Paperback: 288 pages
  • Publisher: HarperCollins; Reprint edition (Nov 2001)
  • Language English
  • ISBN-10: 0064409791
  • ISBN-13: 978-0064409797
  • Product Dimensions: 19.2 x 13 x 2 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 1,534,629 in Books (See Top 100 in Books)

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Suzanne Fisher Staples
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Product Description

Product Description

Even as a toddler Parvarti was thought to have supernatural gifts. When she grows up and the master of Indian classical dance comes to see her for himself, he asks her to study with him. But then she meets a boy with his own powers and learns destiny can be a very elusive thing indeed. --This text refers to an alternate Paperback edition.

Excerpted from Shiva's Fire by Suzanne Fisher Staples. Copyright © 2001. Reprinted by permission. All rights reserved.

Meenakshi arose early the day Parvati was born, for the infant in her womb had not allowed her to sleep during the night. Tiny knees and elbows thumped Meenakshi’s sides in an odd, slow rhythm: tai-taiya-tai, tai-taiya-tai.
She did not know her daughter would arrive amid a change in the course of natural events, that fish would swim among the stars and birds would soar beneath the waters.
Meenakshi yawned and tied her sari round her swollen middle. She moved quietly to let her husband, Sundar, and their sons sleep while she went to the temple to offer prayers. Flies buzzed lazily in the leaden heat, and a trickle of perspiration rolled down the side of her face.
On a metal tray she arranged a coconut, bananas, and a champakam blossom with a fragrance as delicate as the pink at the base of each white petal. She laid another blossom at the feet of the statue of the dancing Shiva, which Sundar had carved of sandalwood and placed in a niche in the wall.
Meenakshi arched her back to ease it, and a pair of hands clasped her from behind and quieted the thumping against her ribs.
‘You think he’ll arrive today?’ Sundar asked. Meenakshi turned and laid a finger against her husband’s lips.
‘Shh-hh, you’ll wake the boys,’ she whispered, and pulled him out into the pale heat of the morning. ‘I told you,’ she said, smiling, ‘this one’s a girl!’
‘But how can you be so sure?’ Sundar asked, his head cocked to one side. Meenakshi smiled again and patted his cheek. He sighed and reached for the pail to milk the water buffalo while Meenakshi went to the temple.
For many weeks early in Meenakshi’s other pregnancies, she had felt ill and was unable to eat. But this time everything tasted sweet and delicious, and she felt especially alive and healthy. She found herself daydreaming as she worked in the fields among the other women of the village of Anandanagar, planting rice and sugarcane. And her eyes filled with tears every time she saw a particularly beautiful flower or an unusually magnificent sunset.
Often Sundar asked, ‘Why are you smiling?’ Almost always she was unaware that she had been smiling. But throughout her pregnancy she had felt inexplicably happy.
Meenakshi hurried to the temple at the edge of the village to perform her puja before her sons awoke. She wanted to feed them and her husband before Sundar had to leave to tend the elephants. This was a festival day, but her husband was chief of the Maharaja’s mahouts, and he and a few other mahouts could not be spared from looking after the elephants while everyone else attended the feast.
It was the Maharaja Narasimha Deva’s birthday. While most ordinary people did not mark their births on a calendar, a maharaja’s birthday was one to celebrate. This year the Raja’s birthday would be especially joyous, because the Maharani was expecting a child, and the priests had predicted a son. Meenakshi did not want to miss the feast, but she was certain this was the day her infant would arrive. The gentle thumping resumed against her ribs: tai-taiya-tai, tai-taiya-tai.
Before India’s independence some forty years earlier, the Raja’s father had owned the forests of teak and sandalwood that spread from one end of Nandipuram to the other. The government of India owned the forests now that the rajas no longer ruled, and the Maharaja Narasimha Deva was the government’s agent for the timber. As a religious leader and the beneficent employer of many of his father’s former subjects, he was supreme in the hearts of his people.
Each year the people gathered on top of the hill outside the Raja’s palace as flutes warbled and the throaty voices of Mridangam drums answered each other back and forth across the tree-covered valley. The Raja was weighed in his ceremonial robes, and the equivalent in gold was distributed to charities and the poor, to schools and temples throughout the region.
According to legend, the first clap of thunder of each year’s monsoon was the signal that the gold had been fairly weighed and the gods were satisfied with the Raja’s generosity. And the South of India, which had been parched through the long dry season, would prosper by four months of fruitful monsoon rains.
Meenakshi walked awkwardly, holding the offering before her. She smiled, thinking she must look as round as the gentle water buffalo she passed along the way. Monkeys scampered beside her, chattering and bickering over which of them should go first.
She arrived just as the priest, Mr Balaraman, rang the temple bell. He wore an unbleached dhoti of soft cotton on his hips, three sacred threads over his left shoulder, three stripes of pale sacred ash across his forehead, and his greying hair tied in a loose knot at the top of his head. On legs as gnarled and creased as the trunk of the sacred peepul tree by the temple door, he stood before the stone likeness of Nandi, the soft-eyed bull that carried Lord Shiva from place to place. Incense burned in a brass dish, and perfumed smoke filled the inner chamber of the temple.
The priest took Meenakshi’s offering and laid it beneath the kneeling Nandi’s nose. Meenakshi tipped her face towards the priest, and he dipped his finger into a pot of red powder and gently pressed a small dot in the centre of her forehead, a third eye through which to see the world more clearly. Meenakshi ran her hands through the smoke from the censer and rubbed it into her face, then turned to hurry cumbrously back along the row of coconut palms to her thatched house at the edge of the village. --This text refers to an alternate Paperback edition.

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Customer Reviews

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Most Helpful Customer Reviews
Enchanting! 29 Dec 2001
By A Customer
Format:Paperback
This book is a one of a iknd story. It keeps you interested form start to finish and is a trully magical tale. It is a great way of learning about the Asian culture and is trully amazing!!!!!!
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By A Customer
Format:Hardcover
Not a typical kind of story, but I like it. The girl Parvati is born on the day of the worst monsoon for hundreds of years. She is born to dance, as she soon finds out - but her dancing is special in an odd way. This makes her an outcast in her village. But when she is about 12, she has the chance to go to a dance school, and live her dream. For this, she must leave her family, and everything she has... I won't say more because I don't want to reveal everything, but I'm just saying: buy it, you won't be sorry :)
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  41 reviews
20 of 20 people found the following review helpful
Thoughtful 17 April 2000
By Laura Lynn Walsh - Published on Amazon.com
Format:Hardcover
This book is not the sequel to Shabanu and Haveli, but is, rather, a thought-provoking look at another culture, that of India. The young girl, Parvati, is unusual from her birth on. She has the ability to remember everything, the ability to communicate with animals, and above all she wants to dance. Since her family is devastatingly poor, there is no way she can pursue her dream, until a guru from far away comes to watch her. He offers her training, but that means giving up her family life. The training will also allow her to send money to her family to help them out of their poverty.

The author of this book is extremely good at helping you understand not only a different culture, but also the people who live in that culture. She does this not by didactic descriptions, but rather by thoughtful inclusion of the necessary indicative details.

The ultimate test of Parvati's dedication is her attraction to a boy, and the possibility of a second true friend. It is important that Staples doesn't gloss over the agony of this decision.

Overall, another good book from Staples.

16 of 16 people found the following review helpful
A well-written, very descriptive novel. Recommended. 9 Jun 2000
By A Customer - Published on Amazon.com
Format:Hardcover
A new novel from the author of Shabanu and Haveli. Parvati is born the same day a cyclone devastates her village in Nandipuram, India, and kills her father. The beginning of the novel tells of her mother's experience as a widow with small children forced to live with a loving uncle and bitter aunt, and of watching her unusual daughter grow up. Parvati is concious of her surroundings from the day of her birth, and remembers everything. Her aunt and the villagers are suspicous and treat her as an outcast, so Parvati grows up without friends. At twelve, a traveling guru seeking students for his traditional Indian dance academy offers Parvati a scholarship. Unsure of leaving her family, she accepts because the "dowry" the academy will pay for her will afford her mother and brothers to move into their own house and land. Once at the school, Parvati does make one friend, but she is again ostracized by the other students for the unusual occurrences that accompany her. Her natural affinity for dancing accelerates her pace through the school, and after only two years of study, she is invited to perform at the birthday party of the Maharaja of Nandipuram. This allows her to visit her family for the first time since she has been away, and to spend a few days in the luxury of the Raja's palace.

The contrast between palace life, her impoverished childhood, and the almost monastic existence at the dance academy are stunning, and this is one of the few books I wish was a movie instead because the descriptions of the countryside, the dancing, and opulence of the palace, complete with trained elephants, would be a sight. Staples writing is superb, as usual. Unlike Shabanu, however, the character development is not as strong. The focus of the story is the setting and culture of India, rather then Parvati, or even her mother. This does not necessarily lessen it's value, but makes it a little bit less accessible. Fans of well written novels will enjoy it greatly, but those looking for a traditional main character to empathize and connect with will be disappointed.

9 of 10 people found the following review helpful
Interesting story, Great setting 17 Oct 2001
By Mani Subramani - Published on Amazon.com
Format:Hardcover
Our family of four (mom, dad (me!) and two daughters - 10, 13 yrs) listened to the audio casette version of this book on a long long car ride - driving from Minneapolis to Mt. Rushmore this summer.
Being from India, it was wonderful to have the sights, smells and flavors of our country observed and transmitted with so much realistic detail in the book. Often, we found ourselves at a rest stop and with none of us wanting to get out of the car as we were at a critical juncture in the development of the story.
The story itself is pretty simple, Parvati is a child born with magical powers that puzzle, intimidate and scare people in her village. The family goes through tough times after her father dies and the wonderful bond between Parvati and her mother as well as her brothers are treated with extreme sensitivity. I must confess that there were occasions when I was driving looking straight ahead to keep my family to see that I was crying. Parvati is discovered by a leading dance guru, leaves her family to live in the gurukulam (school) near Madras and grows up to be an extremely accomplished dancer. The final denouement occurs when she returns to the town as a famous dancer.

However, I do have some quibbles with the author. While she has set the story in contemporary India, as someone who is familiar with the context, I can say that there are details that don't quite add up. For instance, the ex-maharaja of the province is described as distributing his weight in gold to the public on his birthday - a practice that to the best of my knowledge really stopped in the early part of the century - around WWI. Also in present day India, the local government and the civil service play an important role in managing rescue and rehabilitation efforts after major calamities like the devastating storm in the book. The reliance on the resources of the local maharaja, again is more characteristic of earlier times such as the later part of the 19th century or the early 20th century.

However, in my view, the beauty of the narrative and the power of the story are not really diminished by this 'time shift' and it is a masterfully spun tale set in India and generally true to the context. My daughters who are both learning to be dancers from my wife (who is a dancer herself) really identified with Parvati and enjoyed the book enormously.

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