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Publication Date: 5 Aug 2002 | Series: Stoppard Trilogy
Shipwreck is the second part of Tom Stoppard's trilogy The Coast of Utopia. It continues the story of the anarchist Michael Bakunin, the critic Vissarion Belinsky, the writer Ivan Turgenev, and their circle, but as the action shifts from Russia to Paris in the year of European revolution, it is Alexander Herzen and his wife Natalie who come to occupy the focus. Isaiah Berlin called Herzen a writer and thinker of genius, one of the greatest of nineteenth-century Russians; and it was here, in the intoxicating anticipation and the dashed hopes of the 1848 revolution - when the loss of his political illusions were overshadowed by a series of personal calamities - that Herzen found his greatness, seeking the way forward for Russia, the just society and the good life.
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Tom Stoppard's work includes Rosencrantz and Guildenstern Are Dead, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour, After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia and Rock 'n' Roll. His radio plays include If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and In the Native State. Television work includes Professional Foul, Squaring the Circle and Parade's End. His film credits include Empire of the Sun, Rosencrantz and Guildenstern Are Dead, which he also directed, Shakespeare in Love, Enigma and Anna Karenina.
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First Sentence
The garden of Sokolovo, a gentleman's estate fifteen miles outside Moscow. Read the first page
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:5.0 out of 5 stars 1 review
20 of 22 people found the following review helpful
5.0 out of 5 starsLives cut tragically short, and painful losses all around31 Aug 2003
By Brittany Huber - Published on Amazon.com
Format:Paperback
Tom Stoppard is arguably the single finest playwright of his generation, and the Coast of Utopia trilogy is a massive undertaking that in the hands of a less skilled author could have gone awry and badly. Stoppard though manages to make what could be a painfully pedantic history lesson into a moving portrayal of love, ideology, loss, and change.
Shipwreck is decidedly the most tragic of the three, the loss of innocence and the tragically young deaths of several characters are heart breaking, as is the way Stoppard deals the blow to the reader or audience. Vissarion Belinsky in particular lends a spark to the entire piece, and his desperation at finding the answer he has spent his life searching for is one of the most heart wrenching things I have ever read.
The history is neither dominate or secondary to the characterization here, rather Stoppard manages to make the historical events we know (or may not know) part and parcel of the volatile and fascinating lives of some of Russias greatest citizens.