58 of 63 people found the following review helpful:
5.0 out of 5 stars
Spooky and interesting!, 9 Mar 2005
This review is from: Shikoku [1999] [DVD] (DVD)
This is a very well made horror film based on a best selling novel and oddly similar to the theme of the highly acclaimed Japanese movie "Ring". It's about a woman called Hinako who returns to her childhood home called Shikoku from Toyko and finds out that strange things have been happening there, including her childhood freind has died in odd circumstances. Also she discovers an ancient mysterious myth that involves the dead being able to return through ritual means. Overall the plot is exciting enough to keep you tense, nervous and the performances by the actors are very good, especially the one who plays Hinako. The only draw back is that the DVD doesn't have movie notes or information on the plot, apart from a series of interviews with the director and the cast, which doesn't give much light on the original book as well as the writer. Still it's worth buying or renting!
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25 of 27 people found the following review helpful:
4.0 out of 5 stars
Strange, 3 Nov 2006
This review is from: Shikoku [1999] [DVD] (DVD)
I do not know whether my particular copy was slightly faulty, but the picture was very unsteady in places, almost as though the director wanted to make the viewer feel as though he was watching a home video. If nothing else, the unsteadiness of the picture contributed to the unsettling effect of the film.
The film is set in rural Japan, which perhaps sets it apart from other Japanese horror films which I have watched. As a result, the way of life seems unfamiliar to a Western viewer. Although there is a sense in which all Japanese horror films can be regarded as exploring certain aspects of Japanese spirituality, this film does so in a more traditional sense in that Japanese temples play an important role. I have no way of knowing whether the events which take place in the temples are authentic or not. The unfamiliarity of the setting and the religious practices contributes to the viewer's feeling that he is having a new cinematic experience. The heroine is a sympathetic figure. Unfortunately, she is surrounded by people who are not all they seem. Although the basic premise of the film becomes apparent about halfway through, the ending is not clear, so the viewer is sufficiently interested to watch the film until the end. This is psychological horror; it is definitely not a "slasher" movie.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A sad and beautiful Japanese ghost story, 15 July 2007
This review is from: Shikoku [1999] [DVD] (DVD)
I thought this movie was wonderful. The Japanese make the best horror films in the world, but many of those films, especially ghost stories such as Shikoku, operate on a different spiritual plane than Western horror. The fact that Shikoku is hyped as a product of the studio that produced the Ringu series will have many viewers expecting chills and frights that just aren't to be found here. When it comes to J-Horror, you can't expect the movie to conform to your expectations; instead, you have to embrace what you are given. Shikoku is about love and loss and sadness, not horror per se. It has its creepy moments, but I would describe Shikoku as a spiritual horror movie, operating at a wavelength that those of us in the West have to learn to appreciate. If you can do that, you'll fall in love with movies such as this one.
I found the first few scenes somewhat confusing, as we see three children enjoying themselves and then watch one of them, Sayori (Chiaki Kuriyama) take part in a strange, voodoo-like ceremony. Then one of the friends, Hinako, moves to Tokyo with her family. As we later find out, this greatly upset Sayori, for she was the one who had long dreamed of the day she could leave the rural and isolated village on Shikoku. Time passes, and then an adult Hinako (Yui Natsukawa) returns to the village, only to find out that Sayori had drowned sixteen years ago. Fumiya (Michitaka Tsutsui), their mutual friend, is still there, however, and he and Hinako begin spending time together. There's a level of discomfort to it all, though, as Fumiya always seems to act as if he fears someone is watching them. At the same time, strange and troubling things begin happening in the village, including the desecration of some holy statues outside of town. Some of the villagers seem to fear that Hinako's presence has somehow provided the means for the dead to return.
Truths emerge slowly as the story develops. Sayori's absent mother, who is a priestess of some sort, has been taking annual pilgrimages to all 88 temples on the island of Shikoku. It turns out, however, that she has been visiting each temple in reverse order, as her secret intention is to tear down the veil between the physical and spiritual worlds in order to reclaim her daughter. We also learn of the depth of Fumiya's relationship with Sayori, which adds a great deal of emotion and feeling to the ending of the film. You just don't find this kind of poignancy in Western ghost stories.
An understanding of Japanese culture and language would add much to the viewer's experience of Shikoku, but it is not necessary. The two possible meanings of the word Shikoku, for example, are made pretty clear in the context of the film. I also have to say that Chiaki Kuriyama is mesmerizing as Sayori. I believe this was her first true film role, but you wouldn't know it as it's impossible to take your eyes off of her whenever she is on the screen.
Shikoku does come with a few special features. The behind-the-scenes look at the filming of the movie is really just that, a narration-free look at the preparation and filming of several of the film's later scenes. You also get interviews with director Shunichi Nagasaki and both leading actresses - and, fortunately, all of these special features are accompanied by English subtitles. It's always interesting to get some insight into the atmosphere of Japanese movie sets, as there always seems to be a relaxed professionalism between cast and crew that provides a refreshing contrast to the almost-constant turmoil to be found on most American film sets.
Just know that this is not a frightening movie; it's suspenseful, and it does have some creepy moments, but it's not a horror movie in the Western sense of the term. There is no strict dichotomy between good and evil established, as the ghost ends up being the most pitiable and plaintive character in the whole film. Perhaps, more than anything else, Shikoku is a tragic love story - and quite a beautiful one, in my opinion.
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