John Ford can be taken to task for his sentimentalization of male violence (usually involving Victor McLaglen thumping people), and for his representation of native Americans (forever the "Other"), but he also abides as one of cinema's greatest visual poets - a master of deep composition, and of kinetic marvels - has anyone ever filmed horses at full gallop so wonderfully well? Only Kurosawa, Ford's sole rival in portraying lyrical action. This film is full of beauty and excitment and has some stirring music too; the use of a voice-over dates it a little, and it doesn't quite have a clean finish, but the visuals are awesome, and John Wayne is superb. If you love cinema, you'll surely love this.