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Sharpe is stranded behind enemy lines, but he has Patrick Harper, he has his riflemen, and he has the assistance of a young, idealistic Portuguese officer. Together, they have to find the missing girl and extricate themselves from the entanglements cast by Colonel Christopher, a mysterious Englishman who has his own ideas on how the French can be ejected from Portugal. Those ideas are as fantastic as they are dangerous, but the French are rampant, Lisbon is threatened, and Christopher sees Sharpe and his riflemen as the only obstacles to his subtle scheme.
But there is a newly arrived British commander in Lisbon, Sir Arthur Wellesley, and just when Sharpe and his men seem doomed, Sir Arthur mounts his own counter-attack, an operation that will send the French army reeling back into the northern mountains. Sharpe becomes a hunter instead of the hunted and he will exercise a dreadful revenge on the men who double-crossed him.
Sharpe's Havoc is a classic Sharpe story, a return to Portugal in the company of Sergeant Patrick Harper, Captain Hogan, and Sharpe's beloved Greenjackets.
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I'll leave the plot there except to say that it's a ripping yarn (and I've been reading them for twenty years). We meet an upper-class villain fit to take on Sir Henry Simmerson; a beautiful, runaway heiress; and a young Portuguese officer of character and education who has a thing or two to learn from Sharpe. Deja vu? Well, some of the best vus are deja. There have been better ones than this but not many. The atmosphere is as thick as Dan Hagman's tea. There are passages of real sardonic humour, which comes as a relief after the last outing. The action sequences are many and unsurpassed. My only regret is that an old favourite, Sweet William, hasn't shown up yet.
The time slots are filling up but Cornwell makes good use of them. Sharpe and Harper march again. What are you waiting for? And if you didn't understand any of the above, still read the book.
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