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Amazon.co.uk Review
His style may have softened since the Dire Straits days but this can only be a good thing whe none recalls the bloated synths of their latter years. Shangri-La is Knopfler living his cowboy dream which seems to be what keeps his spirit for good music as fresh as it ever was.--Steve Beefmark
Album Description
The fourth solo excursion from acclaimed singer-songwriter-guitarist Mark Knopfler, Shangri-La is perhaps his most accomplished album since his halcyon days in Dire Straits. A four-time Grammy winner who has sold some 110 million albums worldwide with that group and solo — and whose signature guitar sound, instantly recognisable vocals and smart lyrics have made him one of rock's most admired artists — Knopfler offers an idyllic earthly refuge for the sophisticated rock fan with Shangri-La.
Guitar Information:Mark's Strat guitar features a '57 Strat guitar ash body and a vintage tinted '62 "C"-shape maple neck with a rosewood fingerboard. His unmistakable tone comes from three Texas Special single-coil pickups and a five-way switch. Fender/Gotoh vintage tuners and an American vintage tremolo system round out this sultan of swing.
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Customer Reviews
First of all, the album is majestically produced. Every chord and note played is perfect, they emphasise the lyrics and dance around the subject with a penache that only Knopfler can produce.
Of more note are the brilliantly satirical and often witty storytelling achieved by Knopfler's lyrics. "Boom, Like That" is a song which I cannot stop going back to over and over again. The subject of Ray Kroc's somewhat unscrupulous success with the early McDonalds restaurants is brilliantly depicted by the track. Other tracks of note include the oft-graphic but very entertaining "Don't Crash the Ambulance" which finishes off the album with aplomb.
This is not a Dire Straits stlye collection of music. Despite being relatively young, my Dad introduced me to the wonderful World of Dire Straits. This is equally brilliant, but totally different.
I cannot reccommend this album highly enough - if at first you don't like it, just put it on again and listen carefully. You cannot fail to be rewarded for just listening.
From a musical point of view the playing is beyond reproach and the production be it CD or SACD is superb. Mark's guitar playing is what has always got the plaudits and the magazines writing but it is the lyrics which stand out to fans and this album only serves to strengthen this adding to his catalogue of sharp, witty story telling.
If your have grown up with Mark's music and have developed your taste as he has experimented and grown musically then you will love this album. Don't expect a Brother's in Arms 2 or Money for Nothing all over again this is an album from an artist who is confident and able to change musical styles in a way most artists would never even be able to think of doing. If you are an MK fan then this is a must buy, if you liked Sailing to Philadelpia and are looking to get more into his music or simply want to buy your first album by one of the most talented and respected artists of our time then this is a great place to start.
A number of artists who have been going as long as Mark has at the fore front of their respective genre's have resorted to putting out the same type of album again and again or have tryed to change musical styles only to lose the aspects that made them popular in the first place. Mark has constantly produced top class music in different styles and the breadth of his musical knowledge has been made even greater with the completion of this album. Lyrically and musically fresh while sticking to his strengths what more can I say.
If you are willing to follow the direction he has chosen now, however, this album is simply billiant. A real grower. Mark has left the stadiums behind, the 'ego' that wants more success, and since he has gone solo, he has done nothing but exploring the roots of his music and putting that into great songs. What an exciting journey that is.
"Shangri-La" is brilliant in that respect. I have never heard him and his band blend country, rock, blues, folk, bluegrass... so effortlessly. Behind every chord change, every note, every turn in every song, every line he sings, there's a landscape of music to be discovered. It happens so subtly, so sweetly, you cannot but be moved. It all sounds so direct, so easy. His guitar playing works in exactly the same way: subtle and perfect for the music he is making now. There's so much more behind the notes.
Take "Back to Tupelo" for example. In the first verses, Mark is almost hollering on one chord, played so sweet, you almost don't notice it, lamenting the direction Elvis has chosen. Then the others join, soft keyboards, drums and bass, giving it a bittersweet country twist, at the chorus, ther's that breathtaking 7th-chord, which reminds us of real blues, echoing the lyrics of the songs, singing about the Mississippi Elvis has forgotten. I don't know know many musicians who accomplish that kind of songwriting.
So follow Mark and his band on this musical journey, let them take you to Philadelphia and back again. You won't be disappointed.
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