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It was the first Rushdie book I read [I've since sought out other novels by him]. The character threads and plotlines throughout the novel are complex and tangled, but distinctive and engrossing enough to keep the reader on track. Rushdie's unmistakeable writing style, which seems to appeal highly to some and repulse others, struck me as nothing short of ingenious; knowledgeable and informed without being condescending, humourous without being silly, and informal without being trivial; one has the sense of having a story told verbally to them by a wise and well-travelled uncle with a twinkle in his eye and a wandering memory prone to spinning off on charming tangents. Hugely enjoyable, and like nothing I've ever read before.
In the novel postmodernism is embraced fully; the past and present intermingle, and the narrative changes its focus throughout. Rushdie seeks to reconcile himself with Pakistan and his own Muslim upbringing in India and Britain, drawing heavily from his own life and from Pakistan's history. It is also Rushdie's answer to his critics, no doubt, as rather than ignoring Islam he challenges it and in particular there is a feminist aspect to the story. Rushdie shows himself to be at once a great writer in a the 'classic' tradition and a progressive and enlightened man.
It is witty, funny, erotic and, in some places abrupt. Read more
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