Stanley Wells' latest book combines two genres: Biography (Shakespeare), and History of Theatre (Shakespeare). It is a history of Shakespeare from his time to ours, including Shakespeare's life and subsequent theatrical performance, but excluding critical analysis and interpretation of the plays.
The first 100 pages present a minimalist biography of the great playwright - "minimalist" in the sense that Wells sticks close to the (relatively few) facts that are known, or can be judiciously inferred, about Shakespeare's life, avoiding any temptation to pad out or speculate where the facts will not stretch. I found this approach to be refreshing and useful; it clarified for me what is actually known about Shakespeare's life, versus what has been inferred (or imagined) in other biographies.
The remainder of the book deals with the history of Shakespeare in performance, from the playright's time down to the present day, both in England and (in less detail) abroad. The history of the original texts of the plays, their theatrical revisions (or mutilations), the theatres, producers, actors, and critical and popular responses (including Hollywood) are discussed. Given the potentially unlimited scope of this topic, Wells' treatment is brief, selective, and to the point (for example, Joseph Papp's seminal New York "Shakespeare in the Park" is given one sentence in the book.)
To summarize, Wells has, a bit unusually, combined a brief but thoughtful biography of Shakespeare, with an introductory history of Shakespeare in performance. It's a fluently written and engaging overview, and as such, I think that many Shakespeare aficionados, as well as students of the history of theatre, will want to have it.