Fun, big book for those interested in the film industry. The story follows the path of a tiny play as it struggles to get noticed during the annual Edinburgh festival until it explodes into a mega-budget Hollywood spectacle several years later. The plot of the play/movie is not important, what the book is really about is the process and the upheaval it causes in a multitude of lives. The book is a little slow to get moving as it opens with a bunch of dead Hollywood big-shots getting pulled from a car in Eastern Europe (which, devoid of context, doesn't make any sense until almost the very end). The scene then jumps to Scotland, several years earlier, where we meet our hero, the playwright, and his girlfriend and fellow artists. I have no idea how realistic Connolly's portrayal of the genesis of this tiny play into huge Hollywood debacle is, but it reads well and certainly seems plausible, given past Hollywood disasters and ill-conceived projects. The petty intrigues, machinations, power plays, massive egos, and greed, are all well displayed in this swiftly moving book. Connolly ratchets up the suspense as the film's budget soars and personalities clash, only to neatly resolve everything in a slick ending worthy of, well, Hollywood...