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Shadow on the Wall (The SandStorm Chronicles #1)
 
 

Shadow on the Wall (The SandStorm Chronicles #1) [Kindle Edition]

Pavarti K Tyler , Jessica Swift Eldridge
4.7 out of 5 stars  See all reviews (3 customer reviews)

Print List Price: £7.85
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Product Description

Product Description

Recai Osman: Muslim, philosopher, billionaire and Superhero?

Controversial and daring, Shadow on the Wall details the transformation of Recai Osman from complicated man to Superhero. Forced to witness the cruelty of the Morality Police in his home city of Elih, Turkey, Recai is called upon by the power of the desert to be the vehicle of change. Does he have the strength to answer Allah's call or will his dark past and self doubt stand in his way?

Pulling on his faith in Allah, the friendship of a Jewish father-figure and a deeply held belief that his people deserve better, Recai Osman must become The SandStorm.

In the tradition of books by Margaret Atwood and Salman Rushdie, Shadow on the Wall tackles issues of religion, gender, corruption and the basic human condition. Beautiful and challenging, this is not a book to miss.

Naif Al-Mutawa of the99.org said, "I received a copy of Pavarti K Tyler's new book entitled "Shadow on the Wall" to review. What I will say to you is this. Buy it. Read it. It was wonderful. Not only was it a page turner that I read in one sitting (something I have not done in a few years), the story lines were well constructed and the dots all amazingly connected. "

Product details

  • Format: Kindle Edition
  • File Size: 384 KB
  • Print Length: 248 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: Fighting Monkey Press (17 April 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B007V98F4Q
  • Text-to-Speech: Enabled
  • X-Ray: Not Enabled
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: #399,296 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Most Helpful Customer Reviews
5.0 out of 5 stars Makes your head spin! Thrilling! 13 Jan 2013
By IngaKS
Format:Paperback
My review:

I read Shadow on the Wall by Pavarti K. Tyler few months ago, but it took me some time to finally write the review. Shadow on the Wall is a book which you read and then it haunts you in a good way. It was a page turner for me, but it woke so many thoughts which I had to get settled before putting down the review.

Shadow on the Wall is well-written and even though it is a page turner, it is dark, raw and beautiful in the same time. The writing is very smooth and the story flows on a quite quick pace. The characters are above fascinating and thought-wakening and the plot thrilling!

Plot:

The plot is complex and there are few different story lines to follow. It's like a puzzle which you have to put together step by step and you find few awesome surprises on your path. There are two complicated things for me with Pavarti's book: the first one was to determine which genre it is because you can actually put several different labels on it and all of them would be correct; secondly, describing the plot. I will do my best.

The story is taking place in Turkey where you meet the main character of the story Recai Osman who is Muslim, billionaire, victim and a hero. Recai finds himself in a desert, saved by a man called Hasad. Recai is brought to Hasad's home while his daughter Rebekah is nursing Recai... Until Islamic morality police RTK finds them and interferes. Things get ugly. Very ugly.

Then the story jumps few years ahead and Recai is a changed man. The reader is introduced to whole new set of characters who are smartly woven into the story. You are drawn into the world of Elih city where religion, values, traditions, people are given colorful and suffocating meaning. The desert has also a very huge role in the novel and I remember thinking if the author has ever been in desert in order to use such a powerful prose about it.

What I truly loved bout the plot was that it gave an insight to Islam from s very surprised later to find out that the story is written by a non-Muslim. I was quite impressed by her knowledge about Qua ran, women's rights and generally by Muslim settings. It looks almost seemless, because the writing is very smooth, but the story touches quite heavy topics. Shadow on the Wall will get reactions from every reader I believe, they will either love it or be disturbed by it. I was both. It's a book where you will not be indifferent, neither about the plot nor the characters. Very powerful writing!

Shadow on the Wall was very character driven story and there were lots of fascinating characters the author created.

Characters:

Recai remained a mystery for me. I would love to know what happened to him during the years which are not described in the first novel in the series. I loved his characters, but he also raised lots of questions and I am sure, that I will get my answers whenever the sequel is out.

I know that some people who have read the book would be surprised when I am saying that one of my favorite characters was Darya. Darya is devious, evil, sick in her head and I felt so sorry for her. She used every mean she possessed - money, connections, family to get what she wanted. I can't say, that I loved her character because she is evil, but it was interesting following the reasons behind her actions - to say the least.

Hasad had a huge role to play, especially when it came to Recai and his actions. Hasad is the only person from his past who is taken into the present.

There is a myriad of characters, both main and supportive ones worth mentioning. There is one thing common for all of them - they are fascinating!

Generally:

Shadow on the Wall is a brilliant book which flows smoothly and at the same time touches heavy topics of fundamental religion, women's rights, acting above the morality etc. It makes your head spin!It is that good! I highly recommend it and can't wait for the sequel!
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5.0 out of 5 stars Good. Evil. A Masterpiece. 11 May 2012
Format:Kindle Edition
I've never read any of Pavarti's work before but as we communicated about her book tour I was expecting nothing short of spectacular. As an author, she strikes you as professional, approachable and well organised.

Then you read her book, and she completely blows you away.

She describes Recai as a "vehicle of change" but one cannot help but wonder about the undercurrents that this novels brings forth. Deep down, do we all feel emotions like Recai? Do we each have this raging inner desire to strip ourselves of our fears and oppressions and rise against the world? In a way, are these the same undercurrents that are capable of projecting issues such as the Middle Eastern uprising?

Yes, it is a fiction novel but it taps into your imagination and you cannot help but wonder... This isn't a book you can curl up with as you go to bed and dream of happily ever afters, it is the kind of book that will make you think. It is the kind of book that will leave its mark in history, one way or another.

In a nutshell, the story is centred on good versus evil and the delusion we create that these two things are as clear as black and white. They are not. This book will tell you that. Pavarti's descriptive scenes will show you. And life will teach you that.

Overall assessment:
Story: 5/5
Characters: 5/5
Editing: 5/5
Pacing: 4.5/5
Offensive content?: Yes, (violence, swearing etc.) Not at all recommended for children. I would give it a PG15.

Disclosure: I received a review copy of this book from the author through Orangeberry Book Tours. I did not receive any payment in exchange for this review nor was I obligated to write a positive one.
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4.0 out of 5 stars Unputdownable! 7 May 2012
Format:Kindle Edition
I couldn't put this book down. It is extraordinarily gripping from the first page to the last, and the characters are so unusual and well-developed that you just want to discover more about them. The book is set in Turkey, in a real place called Elih (fun fact: Elih is the Kurdish name for a real Turkish town called 'Batman'. Nice.) Although the Elih that the author creates is fictitious and nothing like the real place, she chose the Turkish setting because she wanted somewhere with religious tensions between Muslims and Jews that didn't instantly evoke 9/11. You really do learn more about the Islamic faith from the book, as it describes and portrays many rituals, prayers, greetings and passages from the Qur'an and religious tensions. Different groups' interpretations of religious texts are at the heart of the story. Tyler has clearly done her research and, for me, it really paid off.

In this story, there is a 'morality' police force called the RTK. They are a Muslim group who are in control of the city and are, basically, armed policeman who make sure that certain Muslim practices are being followed. There include: not drinking, not smoking, not eating pork, women must wear their burkas and be accompanied by male chaperones, reading material is restricted, women are not allowed newspapers, etc etc. They are an intimidating and brutal force and, as we soon realise, very corrupt.

The RTK become the villains of the piece right from the outset of the book. If you are averse to brutal violence (including sexual and incestual) then you are going to find this book hard going. And I am not exaggerating. I have seen the most violent films out there and read incredibly violent books in the past, and this is definitely up there with them. At one point, I had to put the book down and watch some T.V because some of the violence very prolonged and quite upsetting to read. However, it isn't gratuitous and is vital to the later story lines and provides the motivation of the main character for the events that follow.

Everything about this book feels sinister, suffocating and violent. The oppresive setting of the desert, which clogs your throat whilst also burning and dehydrating you if you dare to stray too far over its unknown terrain, was perfect. I loved the way the sand, like the RTK, managed to find its way into every crack and crevice of society and would occasionally wash over the city in a vicious storm which confined everyone to their homes. The author also uses Bible quotes at the beginning of each chapter, which evoke not a loving, benevolent God but the smiting, vengeful, angry God of the Old Testament, 'on your belly you shall crawl, and dust you shall eat, all the days of your life.' I liked this, as I felt it invoked the violence of religion which is the dark side of any practiced faith: this underbelly of extraordinary violence is always there for those who wish to exploit it, as the RTK do in this book.

Another huge theme in this book is oppression of women and violence towards women. This theme, combined with the shifting narrative which focused on different characters and events sporadically, reminded me of Steig Larsson's 'The Girl with the Dragon Tattoo'. This book is very much about men who hate women and men who disrespect women in the worst possible ways. Women are used as pawns in games of power: if a man is to be punished for some crime or wrong he has committed, his wife or daughter is hunted and raped, thus losing her honour and any chance of a good marriage. She is then extradited from the family and either relies on the kindness of strangers or kills herself. Women are constantly assaulted, beaten, and verbally assaulted and blamed for tempting men if they do happen to be sexually attacked. It must be their fault for exposing a hand or an ankle. Darya is the niece of the Mayor of the city, and she represents a woman's lust and longing for a higher position and more power and respect than women are currently receiving. At one point she thinks;

'She yearned for a life in which all men looked at her as a force of nature not to be trifled with, to be able to stand outside in the wind, her hair uncovered, and scream that she had arrived.'

She portrays a kind of Princess Jasmine character; she does a lot of business for the Mayor behind a male pseudonym from her computer, yet no-one knows her true identity or that a woman would be capable of that difficult work and the powerful position. Women are hidden and seen as weak and pathetic; she later takes extreme action against her circumstances with brutal consequences.

Overall, I think what I really loved about this book was how the author defied casting people into roles of 'good' and 'evil'. Characters who are generally good sometimes commit thoughtless acts, and characters who are villains of the most despicable kind can change or can be kind to the people they love. This made the characters much more rounded, and more unpredictable too which kept me engaged right until the very last page. I am really looking forward to reading the rest of this series!
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