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Shadow of Heaven

10 customer reviews

Price: £10.07 & FREE Delivery in the UK on orders over £20. Details
Includes FREE MP3 version of this album.
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£10.07 & FREE Delivery in the UK on orders over £20. Details Only 4 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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Frequently Bought Together

Shadow of Heaven + 6 Feet Beneath The Moon [VINYL]
Price For Both: £31.01

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Product details

  • Audio CD (26 Aug. 2013)
  • Number of Discs: 1
  • Label: Bella Union
  • ASIN: B00DEUTNTM
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 93,101 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
  1. So Long (God Is Dead) 5:29£0.99  Buy MP3 
  2. Who's Going To Love You Now 4:07£0.99  Buy MP3 
  3. Bluebell Fields 4:39£0.99  Buy MP3 
  4. Goodnight London 7:02£0.99  Buy MP3 
  5. Letter To Yesterday 5:44£0.99  Buy MP3 
  6. Hold Me Forever 5:41£0.99  Buy MP3 
  7. Cold Water 4:15£0.99  Buy MP3 
  8. The Cruelty Of Godliness 3:05£0.99  Buy MP3 
  9. The Shadow Of Heaven 5:15£0.99  Buy MP3 
10. Black 5:10£0.99  Buy MP3 

Customer Reviews

4.3 out of 5 stars
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful By Big Twink on 13 Oct. 2013
Format: Audio CD Verified Purchase
For me, this is one of the best albums of the year, as it has an elegance and poise all of its own which slowly gets under your skin. Although there is an 'epic' feel to the album as a whole, I think the songs actually benefit from the occasional stripped-down arrangments and the 'basic' production.
There are elements of The Verve's 'A Northern Soul' that crop up, which is never a bad thing, and album highlight 'Letter to Yesterday' is a lesson in how to construct a slow-burn epic song with the simple, sparse instrumentation of a two-note bassline and the odd guitar flourish. Jamie Lee's vocals hold the album together, and when they crack every now and again, they convey a believability and emotion that is rare these days. A great debut.
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2 of 2 people found the following review helpful By I. McMillan on 12 Oct. 2013
Format: Vinyl Verified Purchase
Jamie Lee and crew must be very proud of this new recording. 'Shadow of Heaven' is beautifully constructed and moves at its own pace, paying scant attention to the trends and fashions of the contemporary music world. It's evocative and airy compositions which often possess Puccini-esqe melodies bear repeated listening, in fact demand it. It has been a few months since I received my vinyl copy and CD and it is my steady fascination with this album which has prompted this review - from a normally-reluctant reviewer. New musical talent of this scale and sensitivity will find a wide audience, of that I am sure.
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Format: MP3 Download
Recorded in London through the deep, dark winter of 2012/13, Shadow Of Heaven is an ethereal, transcendent record that’s notable for its musical and intellectual ambition. It’s the kind of music that can be hard to listen to. It really is one of those things that you need to be in the right mood for and that can’t be listened to on the side. The two singles Hold Me Forever, which I find reminiscent of Scottish act Glasvegas, and Bluebell Fields are the more radio friendly material on the album while most of the rest are solomn piano ballads with lyrics heavy with meaning (Black, Goodnight London) or heavily orchestrated hymns (Shadow Of Heaven).

Rooted in universal themes of the spirit, love and loss, the album also addresses man’s condition in the modern world, issues ‘such as isolation and mental health as logical reactions to it‘, says Jamie.
If I had to describe their sound it would be somewhere along the lines of those solemn ballads The 1975 did for their first EPs, Man Without Country if they weren’t electronic, or Joy Division if they’d played slower and stripped the guitars. Others have compared them to Wu Lyf.

If you can see past the pretentious ambition of M O N E Y and you’re into this type of music, Shadow Of Heaven certainly is a great choice.

indieisnotagenre.com
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1 of 1 people found the following review helpful By Steve Kenny on 21 May 2014
Format: MP3 Download Verified Purchase
Appreciate the talent and effort behind this album but not really to my taste. Don't want to say anything negative, as it is my problem not theirs really. Would appeal to fans of Elbow, Cherry Ghost and so on.
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8 of 10 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 26 Aug. 2013
Format: Audio CD
All to often new Indie British-bands decide that the riff is king and that it's a variant on the template already perfected by My Bloody Valentine or more tragically the Editors which holds the key to success. The term landfill indie is very real and the culprits numerous. What a joy therefore to have a new Manchester band who like many of their great forebears determine to perfect musical sweep and scale and are not afraid to highlight their poetic leanings. MONEY are a band firmly in this proud tradition. Fronted by the exuberant Jamie Lee they have been building up the excitement factor over the recent period to the release of this excellent debut album "The Shadow of Heaven".

It could be argued that young men prone to spout the works of Kozlov have no place in rock. Yet surely the time is right again for literate, emotional and spectral music to assert itself proudly? MONEY have well trailed this debut and rightly so. The powerful single "Bluebell fields" was a statement of intent with Lee's regretful vocal and the bands swirling accompaniment. The gentler "Hold me forever" explores the shallowness and fleeting nature of relationships as Lee intones "even if you hold me / if you hold me forever / I'll become bored / of all of this together / you can praise and thank the lord for keeping us apart". The obvious highlight on the album is the brilliant piano ballad "Goodnight London". It is a mesmerising six minute plus lament with Lee showing that he is a songwriter of sheer class. Watch him perform it with passion on the web at an old piano in a bar during one of the Take Away Shows and try not to be smitten. Other songs here which grab you and don't let go include album opener "So long (God is Dead) with a ambience which recalls The Associates.
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