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Shades of Blue: Madlib Invades Blue Note
 
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Shades of Blue: Madlib Invades Blue Note [CD]

Madlib Audio CD
4.2 out of 5 stars  See all reviews (6 customer reviews)
Price: £7.94 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Customers buy this with The Beat Konducta Vol.3 & 4: in India £8.29

Shades of Blue: Madlib Invades Blue Note + The Beat Konducta Vol.3 & 4: in India
Price For Both: £16.23

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Product details

  • Audio CD (23 Jun 2003)
  • Number of Discs: 1
  • Format: CD
  • Label: Blue Note
  • ASIN: B00009OOI6
  • Other Editions: Audio CD  |  Vinyl
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 17,004 in Music (See Top 100 in Music)

1. Slim's Return
2. Distant Land (Hip Hop Drum Mix)
3. Mystic Bounce
4. Stormy
5. Blue Note Interlude
6. Please Set Me At Ease
7. Funky Blue Note
8. Alfred Lion Interlude
9. Stepping Into Tomorrow (Madlib Remix) (2003 Digital Remaster)
10. Andrew Hill Break (Madlib Remix)
11. Montara (Madlib Remix) (2003 Digital Remaster)
12. Song For My Father
13. Footprints
14. Peace/Dolphin Dance
15. Outro

Product Description

Amazon.co.uk Review

In Shades of Blue Madlib, hip-hop producer extraordinaire, tackles Blue Note's soul-jazz catalogue, enjoying free rein in the fabled label's vaults. On one level, the project makes perfect sense given Madlib's Yesterday's New Quintet work: he clearly has an ear for the Blue Note jazz aesthetic. The remixes and reinventions here are mostly pleasant and even surprising at times--get down with "Mystic Bounce", a flip on Ronnie Foster's "Mystic Brew". Yet some of these tracks seem a little too casual and undercooked, making Shades of Blue feel a bit too much like just another Madlib side project. In fact, Blue Note had already done a better job with this very same concept on their largely forgotten 1996 New Groove compilation, where artists such as Large Professor and the Roots took their stabs at the label's catalogue. --Oliver Wang, Amazon.com

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Customer Reviews

Most Helpful Customer Reviews
15 of 15 people found the following review helpful
Who needs purists? 3 Aug 2005
By randolfff VINE™ VOICE
Format:Audio CD
Jazz purists will hate this, as a couple of reviews have already demonstrated on this page. But jazz purists are the same people who deny that Miles ever experimented with fusion or released any albums during his last twenty years on the planet.

There are many other bland remix strolls through not just the Blue Note but also Verve back catalogues. If you want to enjoy jazz, but can't find it in your soul to do so (or need a tepid House beat accompaniment so that it doesn't seem too "different" from modern music), you can turn to those. If you think jazz is an antique collectable produced only prior to 1970 and reproduced imperfectly since, well... guess you can always dust off a few cherished records from your mausoleum.

Madlib is a much finer exponent of the spirits of jazz than most modern jazzists, and this album is a further testament to that fact. Those who like should also check his remix of Bobbi Humphrey's 'Young Warrior' on the Blue Note Revisited album - possibly better than anything on 'Shades of Blue'.

But it's all relative, and Madlib is a true modern genius. Whether he's hip-hoppin', be-boppin' or just straight doin' his do.

This album actually set me off on certain artists I hadn't listened to before. Bobby Hutcherson and Horace Silver, in particular. And it gots to be good news that young heads can expand their jazz vocabulary beyond 'Kind of Blue', knowing how much it informs the hip-hop and soul that gets us going.

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12 of 14 people found the following review helpful
Killer Combo 21 Feb 2004
Format:Audio CD
Before you even start listening to this album there are a few things that should be bourne in mind.
1. Madlib is a renowned Hip hop producer.
2. Blue Note is a fantastic label for jazz.
3. The album was produced by Eli and Peanut Butter Wolf.

With these sort of credentials it is hardly surprising that a fantastic album has been produced. It combines some wonderful jazz (I don't pretend to be knowledgeable at all, though I have a few Miles Davis and Coltrane Albums, so I have dipped my toe in the water) with a hip hop flavour, which generally means a bit of lyrics in the background, with the melody of the song remaining intact. The beats are chilled, with some cool bass guitar, double bass, piano and trumpet playing around with the music in a way that only jazz musicians can.

I like albums which I see as progression for music in general, and this is definitely one of them, as is Bobbito Earthtones which I would also advise. This sort of music just gives you a good feeling, firstly because you found it but also because of the tempo of the music itself - just makes you wanna smirk and get down in a modern day James Brown stylee. That's right!

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1 of 1 people found the following review helpful
Proof of genius 18 Jan 2007
Format:Audio CD
As other reviewers have already stated, this album is not for the jazz purist. However, I think it is harsh and actually quite narrow minded to say the album is poor. Madlib is a modern day musical Einstein when it comes to production, remixing and all-round musical creativity, and evidence of this is provided in the form of this album. Being that I am a fan of the Blue Note back catalogue and a Madlib devotee, this has to be one of my all time favourite albums.

He picked out some tracks from the Blue Note back catalogue that I was never too fond of e.g. Hancock's 'Dolphin Dance' and 'Stormy' by Reuben Wilson, and made them into compositions that came alive. Personal highlights for me have to be 'Distant Land', 'Mystic Bounce', and in particular the brilliantly relaxed 'Montara', the re-worked Bobby Hutcherson track originally off his '75 album of the same name.

I think that people who label this album as poor should realise that not only are the production, remixing and choice of original compositions all excellent, but that Madlib is expandng his creative boundaries and making jazz and soul gradually more accessible by introducing them, albeit in a remixed hiphop format, to a different audience.
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