Taken carefully, like high quality chocolate, this gigantic, opiate den of a book induces in the reader a welcome yearning to find or revisit the veiled, dark side of some wonderful writing.
Each chapter dwells, in chronological order, on a selection of writers Paglia identifies as key to her uncovering of sexual archetypes - some old, some newly found – across the classic canon of art & literature.
A timeline is the first & last stable element of the book, as she barely touches the rudder to drift the reader through a protean, delicious, swamp-realm of sexual drives, longings & fervent consummations emerging from the misty shadows of the artists` work.
At any turn the journey can move from a moment of searing clarity & insight (e.g. the idea that men created the “beauty in nature” aesthetic to drown out despairing truth – that nature is an uncontrollable, sadistic force which will always prevail somehow) or slide miles away for an extended, purely aesthetic exaltation of a poem`s beauty & style, allowing Paglia`s boundless critical language to, at times, out-shimmer its subject.
As it delineates & parades varieties of sexual personae – beautiful boys, nurturing males, vampiric lesbians, femme fatales, alien androgynes & hieratic hermaphrodite, their literary habitats, their guises & displays - this book`s overall effect is akin to swooning; a too-muchness of information & graphic analysis – one long orgy of impulses, connections & echoes across art, social politics and sexual expression.
Some might find the scintillating richness of forensic scholarship & erotic allusion draining & saturating; others (like this reader) will willingly plunge into this perfumed mud bath & roil in it all.
At the end, the rewards are an appreciation of Paglia`s ability to reach the parts most other critics won`t reach, an opened-up list of further reading that should sustain any liberated appetite for years & an ability to see through anything in trousers.