Georgie Fame,at least musically comes off as something of the Paul Weller of his day. Restless,experimental and even though having a better overall attitude in general was someone working in the British R&B/jazz scene of the 60's who was more than willing to adapt himself to the nature of the times. These two albums are the emmediate follow ups to the ones presented on Two Faces of Fame/Third Face of Fame,both recorded and released in the late 60's. And that is about where this twofer places him at it's beginning. Musically on both ends of the pond at this point,change was a key word for just about everyone. One of the most predominant styles is now known as "horn rock"-a subgenre just about as broad as soft rock would be in the late 70's. It included a freewheeling mixture of jazz,pychedelic rock,funk and soul and had the advantage of lending itself well to quality songwriting. On different ends of the spectrum these two albums find Georgie exploring both those elements with his music.
The first album presented,1969's Seventh Son is a likely candidate for his most individual and defining albums of his career. On this record you hear everyone one of his influences,from American jazz and R&B to well crafted pop songwriting all come together with some wonderfully chorded melodic changes as well as a potent jazz/soul/funk mixture similar to what would be found on...say Edgar Winter's Entrance of the same time period. The title track,the old Willie Dixon number is done up here in a hard late 60's jazz-funk style. Also you see a lot of examples of Fame's writing here. On Laura Nyro style fair such as "Blossom" as well as swinging jazz such as "Inside Story" and the heavy duty funky soul grooves "Ho Ho Ho",with it's witty "backdoor Santa" lyrics and "Fully Booked". This sits very very well along side big band style material such as "Is It Really The Same",the fuzzed out rocking funk of "Somebody Stole My Thunder",the heavily Sonny Rollins influenced bop jazz of "Bird In The World Of The People" and the Brazillian styled "Vino Tequila". The album Going Home is a WHOLE other matter.
Focusing less on the music and more on the melody than the arrangements that 1971 album is far less jazzy and focuses on soul/pop treatments of songs like "I Believe In Love","Going Home","Sister Jane","Lay Me Down" and "Pass It Around". It's in the league of The Young Rascals and Friends Of Distinction more than Van Morrison. It's amazing how well it comes across,especially on the more uptempo treatment of Classics IV's "Stormy". Some people more accustomed and interested in Fame's jazzier end may raise more than an eyebrow on this album but these two presented together makes a perfect pair. On both these albums George Fame is stripping back a good deal of the heavy,almost theatrical big band arrange