Sensual, uncompromising, bold and irreverent, Patricia Duncker has a fertile imagination which she uses with sinister and sinuous skill in this short collection. But it often turns out that the lighter stories are both more convincing and enjoyable and the last in the collection, My Emphasis, is almost entirely comic and nothing to do with either sex or death, even given that it features a performance of King Lear during which an actor is assaulted by members of the the audience. Of an almost hallucinatory power, The Strike, describes the breakdown of civic order when a strike by almost all public services causes mayhem on both sides of the Channel, laying to waste huge tracts of the European continent.
Ironically enough, the stories which are serious about sex and death are the least convincing, although one, Small Arms, is a haunting depiction of a wasted life where the urge to gain money and luxury through attachment to a successful man deprives an intelligent woman of any sense of self-worth and ends with a machine-gun massacre by just the kind of revolutionary loner she used to believe herself to be. Other stories concern life in the French countryside and are not overtly about either sex or death. This is an uneven collection, not uniformly successful, but Duncker's panache and sense of mischief carries the reader through. In some sections you might want to use Google's translate service to get the gist of some of the French dialogue. Demanding, but not difficult, this is an intriguing collection of provoking tales that I definitely want to read again. I found myself still thinking about some of these stories long after reaching the last page.