- Hardcover: 204 pages
- Publisher: University of Chicago Press (1 Feb 1990)
- Language English
- ISBN-10: 0226748936
- ISBN-13: 978-0226748931
- Product Dimensions: 24.1 x 15.9 x 1.9 cm
- Amazon Bestsellers Rank: 3,835,716 in Books (See Top 100 in Books)
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Product Description
Product Description
"The Tempest" is Giorgione's most enigmatic painting. It is a depiction of Giorgione's own family, of the "family of man" tale from Boccaccio, or of the myth of Apollo's birth? In this remarkable study, Salvatore Settis uses the mystery of the painting to shed light on the relationship between artist, patron, work, and critic. The result is a brilliant piece of detective work in the history and sociology of culture that stresses the function of Giorgione's art for the emerging, classically educated connoisseur elite of sixteenth-century Venice.
--This text refers to an out of print or unavailable edition of this title.
--This text refers to an out of print or unavailable edition of this title.
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First Sentence
There is a short story by Gabriel Garcia Marquez in which 'a very old man with enormous wings' touches ground near a sleepy South American dwelling. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
There is a short story by Gabriel Garcia Marquez in which 'a very old man with enormous wings' touches ground near a sleepy South American dwelling. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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2 reviews
8 of 8 people found the following review helpful
enjoyment pure and simple
7 Mar 2000
Format:Paperback
An absolutely brilliant book, indeed! It is written with a lot of intellectual vigour, Settis' knowledge of the subject is breathtaking, but what is by far the most impressing feature of this book is the author's ability to connect very different fields of academic research: sociology, history, philology. It is an absolute must for all students and scholars of arts, a true example how a detailed analysis of a single painting reveals to us much about the era it was painted in, as well as about the times when its meaning was attempted to be deciphered. We learn here much about the Italian Rennaisance, Giorgione and his contemporaries, but also about centuries which came after -- what they did with his paintings and how they tried to adjust their meanings to their contemporary tastes and preferences. A real diamond.
2 of 15 people found the following review helpful
over analyzing and wrong
24 Nov 1999
Format:Paperback
with all of the analyses offered in the book it is surprising that none of them seem right. this book's redeeming points have nothing to do with the subject. one of these points is learning how to approach a work of art that you know nothing about.
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