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A mapper of the highest mountain peaks realizes his true obsession; a young woman afire with scientific curiosity must come to terms with a romantic fantasy; brothers and sisters, torn apart at an early age, are beset by dreams of reunion…Ranging across two centuries, and from the western Himalayas to an Adirondack village, these wonderfully imagined novellas and stories travel the territories of yearning and awakening, of loss and unexpected discovery.
Although each richly layered tale stands alone, readers who are already fans of Andrea Barrett will discover subtle links to characters in her earlier works. Throughout, Barrett's most characteristic theme – the happenings in that borderland between science and desire – reverberates in the diverse lives of a cast of unforgettable characters.
"Elegant and exhilarating, subtle and haunting, Barrett has an alchemist's talent for transforming scientific fact into lively fiction."
SUNDAY TIMES
"Andrea Barrett's work stands out for it's sheer intelligence. The overall effect is quietly dazzling."
NEW YORK TIMES
The opening title story of SERVANTS OF THE MAP starts us off well. The Great Trigonometrical Survey of India begun in the mid 19th century was a grand exercise of mapping the sub-continent. The map contours of interest were the peaks and valleys of the "still to be named" mountains of northern India. We meet Max Vignes, a draughtsman who when not sketching the details of what would later be the Himalayas, was looking down and passionately observing plants, leaves, and lichen. Max is obsessed with botany and the real mapping done by Barrett is of the contours of Max's heart. We see him torn between his love for his wife Clare and his two daughters and his all consuming scientific enthrallment with plants.
This is just the first story and yet Barrett's technique of interweaving the real and the imagined, and her theme of scientific enquiry juxtaposed against the demands of the human heart, are both already fully developed and flowering. She goes on to explore this some more with "Two Rivers" where academically inclined Samuel seeks to disprove all non-theological explanations for fossils. We are transported to the world of emerging Darwinism and Barrett uses Samuel to investigate the inner difficulty of reconciling oneself to change and adapting to a new world-view. It's an issue that has as much resonance today as it did in Samuel's world of 100 years ago.
Other stories where this inner geography is explored are "Theories of Rain" and "The Forest" and some of the colorful characters are Aunt's Daphne and Jane, Bianca Marburg, and Nora Kynd who appears in the last story "The Cure". Max, Clare and their daughter Elizabeth also make a return. In a fitting summation to the book Clare shows her ambivalence to Max's return. It's a perfect illustration of the truth that with the human heart there will always be undiscovered territory. "I do love him," she says. "Or I did - how can I know what I feel anymore..."
This is my first book by Barrett but I've already begun what I can only hope is an equally enjoyable journey with another one.
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