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Seraphim Falls [DVD]
 
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Seraphim Falls [DVD]

Liam Neeson , Pierce Brosnan , David Von Ancken    Suitable for 15 years and over   DVD
3.6 out of 5 stars  See all reviews (59 customer reviews)
Price: £2.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Actors: Liam Neeson, Pierce Brosnan
  • Directors: David Von Ancken
  • Format: DVD-Video, PAL
  • Language English, Spanish
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Studio: Icon Home Entertainment
  • DVD Release Date: 24 Dec 2008
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (59 customer reviews)
  • ASIN: B000X4ZGIO
  • Amazon Bestsellers Rank: 10,428 in Film & TV (See Top 100 in Film & TV)

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Customer Reviews

59 Reviews
5 star:
 (15)
4 star:
 (25)
3 star:
 (4)
2 star:
 (11)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (59 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

15 of 16 people found the following review helpful:
4.0 out of 5 stars From hard and gritty to mythical and allegorical, 31 Oct 2008
By 
Mr. Stephen Kennedy "skenn1701a" (Doha, Qatar) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)    (REAL NAME)   
This review is from: Seraphim Falls [DVD] (DVD)
A film of two halves, but with a somewhat uncomfortable join.
This movie starts off with one of the most gritty and riveting hunts in recent memory. Pierce Brosnan's weatherbeaten and hardened ex Union officer is the hunted one, and Liam Neeson is the hunter, driven remorselessly by the ghosts of his past. The cold of the mountains, the pain of using a knife to gouge out a bullet and cauterize the wound, the chill of the water, the close quarters kills with the knife, all make for a visceral start with minimal dialogue and little explanation. Each man is completely single minded - one on survival, and one on revenge. As the chase moves onto the plains, we discover more about their past and the reason for the chase, marking a change in tone of the movie. As the plains give way to the desert, the movie takes an altogether more mythical and almost surreal mood, which is sure to divide audiences. Those expecting an action packed climax to the chase may feel cheated, however what we do get is at the very least thought provoking and I think lingers in the memory much more than a conventional showdown would have.
The director borrows heavily from the greats - the revenge themes of many a spaghetti Western, with the repeated flashbacks revealing a little more each time we see them reminiscent of Leone, also Ford's `The Searchers', as well as the atmosphere of Eastwood's Westerns. Borrowed the styles may be, but they are put together with a unique voice and vision, albeit in a somewhat hollow way in which the director too often substitutes myth and images for true drama. But what startling images they are! The photography is beautiful, whether it is the stark beauty of the mountains and snow, or the green of the plains or the arid expanses of the desert, and the images of the men facing off, or Angelica Huston in the desert, will stick with you.
The musical score to the movie is surprisingly restrained, but is a perfect accompaniment to the story - at first minimalist and somber in minor keys, reflecting the movies tone of survival and single mindedness, then the score switches to something more traditional as it enters the plains and the sphere of a traditional Western, and finally becomes wistful and dreamlike in the final stages. It's imaginative and subtle, always in the background and never grabbing your attention, but adding immensely to the tone and feel of the movie, almost like another character.
It is the final third of the movie which feels just a little longer than it should, with some ideas dragged out, and with changes of tone which leave the viewer almost feeling like he is being asked to start a new movie. What helps keep the viewer hooked are the leads, who are terrific, the two Irishman fitting into a Western with great assurance. Brosnan in particular makes the most of a very physical role, with much more subtlety than we might expect. Otherwise, a strong supporting cast of character actors is great to watch but frankly is given little of substance to do.
This is a flawed film, to be sure - but nonetheless it achieves what great cinema is supposed to - it stirs the emotions, and makes you think. Recommended.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars A Great Western, 19 Mar 2009
By 
This review is from: Seraphim Falls [Blu-ray] (Blu-ray)
This is one of the best Westerns I've ever seen, and on blu-ray it looks excellent. I had to watch it again just one week after having watched it the first time, I enjoyed the visuals and the story that much. The movie is much more realistic than the average Western, there are no saloons, riverboats nor sheriffs, just a cold snowy mountain at the beginning of the movie, from where the story begins to unfold. You can feel the cold winter air and the cold rushing waters. Seraphim Falls will take you back in time to witness a struggle to survive and avenge.
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16 of 18 people found the following review helpful:
4.0 out of 5 stars An unusual and satisfying western, 18 Feb 2008
This review is from: Seraphim Falls [DVD] (DVD)
Seraphim Falls almost makes it into the territory of the great westerns. It is well acted (I haven't seen Brosnan this good in anything), beautifully shot and moves along at a wonderfully measured pace. Essentially, this is picaresque journey through the west structured around a revenge narrative. Neeson is tracking Brosnan. As the chase goes on, both parties meet interesting characters. And then they eventually meet face to face.

The film has a grit and a reality at its core, but also is alive to the sheer strangeness and multiplicity of the frontier, and the ending I found genuinely surprising. The one bum note in the film is the Neeson character's backstory which is, after all, the engine driving the whole narrative. The loss of his family is certainly reason enough for his quest, but as depicted it lacks power and drama (see, perhaps, The Outlaw Josey Wales for much more effective presentation of similar dramatic material).

Highly recommended.
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