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As for the rest: most are well-crafted, and quite different (quite a few songs-abeit performed by different artists-are on both albums) than "L.I.T.S". The latter really bears the idiosynratic stamp of Van Dyke Parks.
Nick Caves' "Mack.." is far better then Sting's version.
Charlie Haden's (with superb grafting-on of Weill's vocals) take on "Speak Low" is a beauty.
I really haven't the energy to provide even a brief review of every number, but will also mention: William Burroughs' excellent reading of "What Keeps Mankind Alive" (Tom Waits does an excellent job with this track on the other album) ; and the original recording of Bertolt Brecht's "Mack The Knife" puts Cave in the shade.
The outstanding numbers (two) by Teresa Stratas (especially "Surabaya Johnny" are the highlights.
Most notable is Nick Cave's irreverently violent stab at the oft covered "Mack the Knife". True, Ella Fitzgerald, Bobby Darin and Sinatra all left their mark but Cave recklessly pulls the rug out from under them. Though he's taken some liberties with the translation of the lyrics, lines like " and the childbride in her nightie/ who's assailant's still at large/ violated in her slumbers/ Mackie how much did you charge" hold the knife right up to the throat. Though the kid gloves are certainly off, he masterfully keeps the song's spirit alive with a tuneless growl. Sting's cutsey version off LOST IN THE STAR'S pales in comparison.
Another highlight is Elvis Costello's charming rendition of LOST IN THE STARS. Betty Carter's stirring take on "Lonely House" also fares well as does Mary Margret O'Hara's weird but intruiging "Furchte Dich Nicht". Lou Reed also makes a welcome return with a stellar re-working "September Song" from the Wilner tribute. He nearly stole the show on that record and this new version is right at home here.
Less successful is the perfuctory "Alabama Song". Next to Lotte Lenya or Jim Morrison's rousing version with THE DOORS, David Johanson's take is somewhat unremarkable. I can't help thinking how great Shane MacGowan of THE POGUES would of been on this one.
PJ Harvey's "Soldier's Wife" is suitably mournful but I can't seem to get Marianne Faitful's LOST IN THE STARS version out of my head. Harvey's has darkness to spare but Faithful found the humor. The Persuasion's "O Heavenly Salvation" suffers from a same problem, being a little too close to Arron Neville's version off the Wilner.
Comparisons with the Wilner are inevitable unfortunately, but SEPTEMBER SONGS has the presence of Bertolt Brecht, Kurt Weill and Lotte Lenya to recommend it. It's great to hear Brecht's original (albeit German) version of "Mack the Knife" and Charlie Hayden provides fitting accompaniment to Kurt Weill's haunting singing on "Speak Low". I'm a big fan of Lotte Lenya and her classic turn of "Pirate Jenny" is far more welcome thant Teresa Stratas' overblown "Youkali Tango".
To sum up, if you liked the Wilner tribute there's enough here to make it worth your while. True, William S. Burrough's version of "What Keeps Mankind Alive" isn't quite as good as the Tom Waits version but appearences of Nick Cave, Costello and many others more than make up for it.
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