This is very, very enjoyable. It takes liberties over and above the necessary short-cutting and telescoping which inevitably arise in a filmed version of a full-length novel, but it is very watchable and a lot of fun. The settings are, of course, grand (where appropriate) and beautiful, with a particularly Romantic 'Devonshire' cottage for the distressed Dashwoods, visually lovely but also (inside) very cold! The casting is spot-on. Hattie Morahan as Elinor has a most intelligent and expressive face and never puts a foot wrong in her reactions ; she judges the controlled passion of the character, who lives under painful stress for a good part of the film without being able to reveal it, quite perfectly, and when finally Edward is able to voice his feelings, her tearful, inarticulate joy is most moving. This is an outstanding performance. Charity Wakefield plays the good-hearted, headstrong Marianne to a T, and their mother is the excellent Janet McTear, who conveys the bewilderment and dignified lack of practicality of one in her position wholly convincingly. Edmund and Willoughby are both good and I must say I found David Morrissey better than Alan Rickman, good as he was, in the famous film, pace another reviewer. Rickman is a mannered actor - a very good one - and he was too creepily lugubrious for me, whereas Morrissey is dignified, well-bred, reserved as he should be and (actually) also very dashing - lucky Marianne, in the end, though she has to go through a lot before she gets there. The background music is sometimes intrusive, but that's not a serious problem. The film ends delightfully, with Brandon carrying his young wife into his splendid country mansion and Elinor, laughing, watching Edward chasing chickens round their parsonage yard. It's a lovely adaptation and very enjoyable to watch.