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Selected Poetry (Oxford World's Classics) [Paperback]

John Milton , Jonathan Goldberg , Stephen Orgel


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Paperback, 16 July 1998 --  
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John Milton
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Milton's influence on English poetry and criticism has been incalculable. John Milton was thirty-seven when he published his first collection of poems, and his most famous work, "Paradise Lost", did not appear until he was some 60 years old. The delay in its writing can most fully be explained by the revolutionary conditions of the 1640s and 1650s, and the Revolution and its defeat are implicit in the form that "Paradise Lost" finally took. Deeply committed to the Independent cause, Milton wrote the crucial justifications for the trial and execution of Charles I in 1649, and became Oliver Cromwell's Latin Secretary until the 1660 Restoration of the Stuarts. He returned to poetry after the failure of the Commonwealth when he was briefly imprisoned, blind, and living in straitened circumstances, and "Paradise Regained" and "Samson Agonistes" appeared in 1671. The twelve-book "Paradise Lost" completed the canon in 1674, the year of Milton's death, and became a classic almost immediately, continuing to inspire controversy and debate and exerting inestimable influence throughout the ages. This edition includes "Lycidas", "Comus", "Samson Agonistes" and selected extracts from "Paradise Lost". Supplemented by an introduction and notes, it provides a useful guide to Milton's finest works.

About the Author

Jonathan Goldberg is Sir William Osler Professor of English Literature at Johns Hopkins University. Stephen Orgel is Jackson Eli Reynolds Professor of Humanities at Stanford University.

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1 of 1 people found the following review helpful
Good Collection, Extensive Annotation in Appendix 2 Nov 2000
By Michael Wischmeyer - Published on Amazon.com
Format:Paperback
The World's Classics "Selected Poetry" by John Milton is virtually a complete collection of his English poetry. The price is low, the font size is quite adequate, and best of all it offers extensive annotation, a real asset to most readers.

The annotation is located in an appendix rather than as footnotes on each page. I first read a page of poetry unaided, moved to the appendix to browse the appropriate "footnotes", and then returned to the page of poetry. This may sound awkward, but it worked well.

Unlike many collections, this edition contained all of Milton's English sonnets, several which I had not encountered before. The lengthy "Paradise Lost" is moderately abridged and a new reader might find this a good way to become acquainted with Milton's epic poem. But a better approach is to read the unabridged Norton edition of "Paradise Lost". Look at the various reader reviews and decide for yourself.

I particularly enjoyed Samson Agonistes, a rather long, but not difficult poem. I suggest first reading the Biblical story of Samson in Judges, Chapters 13-16, to better appreciate Milton's development of this classic story. The suffering of the blind Samson in captivity is poignant, particularly as Milton himself was blind and aging when he created this remarkable poetic story.

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