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Selected Poems of Simon Armitage [Paperback]

Simon Armitage
4.2 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

6 Aug 2001
This selection provides a perfect introduction to Armitage's work as well as offering a timely retrospective of one of the brightest stars of contemporary poetry. Made by Simon Armitage himself from his poetry to date, Selected Poems includes work from six published volumes, from Zoom! (1989) through to the poem commissioned for the Millennium, Killing Time.

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Product details

  • Paperback: 176 pages
  • Publisher: Faber and Faber (6 Aug 2001)
  • Language: English
  • ISBN-10: 0571210767
  • ISBN-13: 978-0571210763
  • Product Dimensions: 1.4 x 13.1 x 19.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 21,416 in Books (See Top 100 in Books)

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Review

'Armitage creates a muscular but elegant language of his own out of slangy, youthful, up-to-the-minute jargon and the vernacular of his native northern England. He combines this with an easily worn erudition, plenty of nous and the benefit of unblinkered experience... to produce poems of moving originality.' Peter Reading, Sunday Times; 'Armitage writes with wit and feeling about experiences and conditions which poetry often turns its back on.' Jamie McKendrick, Independent; 'Of the fresh faces that have enlivened poetry over the last half-dozen years, none has loomed larger or fresher than that of Simon Armitage.' Mick Imlah, Vogue

From the Publisher

We are pleased to announce the publication of eleven more titles into the new typographic look. The specifications for the books are high -beautifully produced, they all have flaps and are sewn and printed in Italy. The latest batch represents some of the core titles of the backlist (Philip Larkin's Collected Poems, Ted Hughes's New Selected Poems, James Joyce's Poems and Shorter Writings) along with key, single volumes that should be part of any poetry lover's library (and whose reissue, in the form in which they were first published, will give a whole new generation the pleasure of coming to the books as original readers).

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Customer Reviews

4.2 out of 5 stars
4.2 out of 5 stars
Most Helpful Customer Reviews
29 of 33 people found the following review helpful
5.0 out of 5 stars Great for starters 18 Jun 2004
Format:Paperback
I became interested in Simon Armitage via the Tom McRae album, Just like Blood, so when I searched for a volume of Simon Armitage poetry this is what I found. I have discovered my favourite poet here. I love many of the poems but my favourites are from Book of Matches and The Dead Sea Poems, both of which I now have firmly rooted in my growing poetry collection.
I Say I Say I Say from The Dead Sea Poems is my absolute favourite, no doubt about it. This volume is fantastic for anyone who is curious about Simon Armitage, trust me, it will not be a disappointment when it arrives through the letter box.
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5.0 out of 5 stars Good introduction to his poetry 25 April 2013
By S. Eden
Format:Paperback|Amazon Verified Purchase
Recent convert to Simon's poems ... find some of them difficult to understand but a really good selection in this book.
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9 of 13 people found the following review helpful
By Eileen Shaw TOP 1000 REVIEWER
Format:Paperback
Simon Armitage used to be a social worker, now he's a world class poet. A `kid' from Huddersfield who manages in these poems to create a kind of magic, an effortless-seeming cornucopia of words that both thrill and caution, cauterise and twist in the gut. He has his magical gifts wrapped up with newspaper and barbed wire, his images are street-level, sarky, litanies of lives and living. Poems angry and uncouth, like their subjects, or down in the political morass - take this for instance, a verse from 'Lines Thought to Have Been Written on the Eve of the Execution of a Warrant for His Arrest':

Down Birdcage Walk in riots or wartime
we will not hear of her hitching her skirt
or see for ourselves that frantic footwork,
busy like a swan's beneath the surface.
But quickly our tank will stop in its tracks;
they'll turn the turret lid back like a stone;
inside, our faces set like flint, her name
cross-threaded in the barrels of our throats.

No guess needed as to whom that refers.

'To His Lost Lover' may be the best poem ever about a love affair that wasn't, and 'A Week And A Fortnight' is like a glimpse into uncovered lives only ever read about in shocking headlines. There is a certain slickness, something of a flash, urgent, disregard to some of this work. Perhaps evidence of the craft that goes into poetry-making is missing? If so, it's as it should be. Something especially in the internal rhythms, the beautiful power of the enjambments. Though I feel this is only because it reads effortlessly, and is so blindingly apposite. These lines below from 'A Book of Matches' are haunting:

Tonight I'm blank, burnt out, parked
in the garage with the engine running, in the dark.
The ones who know me hold me at arm's length,
the others want to see me dead.

Not yet.
I tear the last match from the book,
fetch it hard and once
across the windscreen. In the glass

I'm taken with myself, caught in the act -
conducting light, until the heat licks
up against my thumb and fingertips, unlocks
my hand, gives me a start, trips

something in the flashbulb of my heart.
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