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Driven by an insistent, plaintive guitar and producer/collaborator Alejandro Franov's delicate, bubbling synth riffs, Molina's unusually structured songs often seem to float in on a breeze and escape on a daydream. She's claimed the album was recorded in moments near the edge of sleep, and that stream-of-unconscious tack variously involves rhythmic choruses of barking dogs, ticking watches and rainforest soundscapes--most so delicately rendered they sometimes seem an auditory illusion--seasoned with impossibly plastic washes of synth and carried by Molina's sweetly somnambulistic vocals. More impressive, Molina's songwriting sense seems as inscrutably subconscious. This is a rare, true musical adventure from first track to last. --Jerry McCulley, Amazon.com
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Little stories and brief moments constitute the lyrical core of Segundo. The musical arragements (which compliments acoustic sounds with electronic/industrial/organ chords) all serve to further illustrate the stories portrayed.
At once fragile and strong, slow-paced but energetic, melancholic but hilarious, intimate but distant, Segundo has Juana Molina singing songs that will stay in your head like the most commercial 3 minute pop song ever, but by doing the exact oposite.
PD. I strongly suggest you try to find her latest album, 3 Cosas, which deals with the post modern world (in the lyrics) from a Yoga point of view (in the music).
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