A superb depiction of one of France's most famous female authors. Judith Thurman follows Colette from her provincial background in Burgundy to her marriage to one of the most notorious writers of the fin-de-siecle, Henri Gauthier-Villars (Willy), through her career as a music-hall artist and long affair with a cross-dressing lesbian, 'Missy', her very successful writing career, her second marriage to the diplomat and aristocrat Henri de Jouvenal, her seduction of her young stepson Bertrand, her second divorce, her third, very happy marriage to the much younger Maurice Goudeket, the agonies of World War II (when the Jewish Maurice had to go into hiding) and her old age, in which the great celebrity and animal-lover became almost bedridden with arthritis. When describing all periods of Colette's life, Thurman gives some fascinating historical background, placing Colette very much in the context of the Paris of her time. There are some wonderful depictions of fin-de-siecle and early 20th-century 'characters' such as the exuberant lesbian Natalie Clifton-Barney, the poet Renee Vivien, Willy himself, intelligent and yet lazy, a sybarite and yet melancholy, other literary figures of the 19th and 20th centuries such as Proust, Anna de Noailles, Francis Carco and Francis Jammes, the composer Maurice Ravel (with whom Colette collaborated), the lesbian circles that she sometimes frequented, and of Colette's family and friends. The historical information on France at the time of Colette (from the late 19th century until the 1950s) is brilliant, and always interesting. One learns a great deal from this book. Thurman is good on the literature too, and makes you want to go back and read Colette, while being well aware of the shortcomings in her fiction (such as her problems at being able to write about really tender relationships of equals). Most impressively, Thurman shows what a terrible woman Colette could be (a bad mother to her daughter, born when she was forty, a tyrant to young Bertrand who she managed to mess up as regards his relationships with women in later life, a bully to her friends, unforgiving to past lovers and husbands) but also make you like and admire her. How many other women have enjoyed careers as a writer, librettist, journalist, actress, dancer, beautician (OK - that one wasn't so successful) and also had a huge circle of friends, managed to end their life with a very happy marriage, and appreciated the pleasures and intelligence of animals so much? In the end, Colette's sheer zest for life, as captured by Thurman, make her an enthralling person to read about. This is a model of a good biography. A must for anyone interested in French literature and culture.