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The Secret Life of Puppets
 
 
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The Secret Life of Puppets [Paperback]

Victoria Nelson
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Product details

  • Paperback: 368 pages
  • Publisher: Harvard University Press (5 Dec 2003)
  • Language English
  • ISBN-10: 0674012445
  • ISBN-13: 978-0674012448
  • Product Dimensions: 23.3 x 14.2 x 2.5 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 190,144 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Victoria Nelson
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Review

Nelson plots an illuminating journey through a carnival funhouse...Unlike many similar, wide-ranging culture studies, Nelson's book arrives with no agenda, blaming no one; instead, she offers a learned, exciting ride through a phantasmagoric landscape filled with dark mysteries. Publishers Weekly 20011202 From Harry Potter and Lord of the Rings, A. I., and X-Files, to the genre grotesqueries of Child's Play and The Puppet Master, so much of our popular storytelling concerns forces and phenomena our culture firmly insists aren't real and cannot exist...In a dizzying and fascinating alternate history scored with subterranean connections, Nelson presents alchemists, Platonists, Gnostics and magi in their own terms and contexts...In this rich work of erudite charms, Nelson convincingly argues that the cultural pendulum is swinging back to the platonic side. But because our rigid scientific materialism doesn't allow us to take any of this seriously, we are left with mostly unconscious expressions that overemphasize the sensational and horrific dark side, with a little sentimental New Age nod to the latent good. -- William S. Kowinski San Francisco Chronicle 20020126 In the opening chapter, Victoria Nelson issues a caveat that deliberately echoes the warnings that preface tales of horror. Do not expect to emerge unchanged. To read this book is akin to entering an ancient grotto, the ante-chamber of the otherworld. Since the Enlightenment, says Nelson,, Western culture has dismissed the supernatural as mere superstition and displaced these religious impulses into popular entertainments such as fantasy and science fiction. The emergence of new grottos such as cyberspace are signs that we are entering a new era of sensibility, in which the Platonic and Aristotelian world view can coexist. As a diagnosis of the role of the supernatural in modern secular society, this is a work of extraordinary originality, erudition and flair. Read it and be transformed. -- Fiona Capp The Age 20020316 Freud theorized that modern civilization (the one in which he lived, anyway) repressed our sexual instincts. In her provocative new book, The Secret Life of Puppets, Victoria Nelson contends that modern civilization has repressed our spiritual instincts. And these, she argues, like all repressed instincts, have come back to surprise us in strange new forms. -- Merle Rubin Christian Science Monitor 20020314 Translating ancient thought systems into contemporary terms, finding equivalents of the old in the new, Nelson skillfully manages to thrust the sphere of academic research headlong into popular culture, making this both accessible and erudite...In a dizzying journey that opens with a Renaissance grotto and concludes with The Truman Show and virtual reality, we are taken on a rollercoaster ride through the underside of western mysticism. As Nelson herself warns the reader, when crawling out from the "hole of this book", whatever emerges "will not be the same as what went in." -- Aura Satz Financial Times 20020223 This is no ordinary work of intellectual history...This is New Age prophecy at its most verbally sexy and literarily savvy. It is fun, enticing, and chockfull of brilliance. -- Laura Bass Washington Times 20020414 Some books are fated and feted for cult status. They have a particular feel and fervency about them. The Secret Life of Puppets by Victoria Nelson, a writer on writing...seems like one of those uncanny, unclassifiable books that break the mould and promise to have a market appeal across disciplines and hobbies, among sober seekers after enlightenment as well as cranks...Nelson's breathtaking jaunt through the underground of Western culture is certainly illuminating and sometimes intoxicating...Expertly researched, forcefully written, magnificently produced, The Secret Life of Puppets is a haunting, highly charged book that leaves a strong after-image of worlds within worlds. -- William Keenan Journal of Contemporary Religion 20030101 The Secret Life of Puppets explores the hauntings, possessions, and other uncanny phenomena proliferating in literature and entertainment (and by no means only on the margins); she argues strongly, through vivid and original readings of H. P. Lovecraft, Edgar Allan Poe and many artifacts in a variety of media, for a new approach to the uses of fantasy and to the relationship between material and immaterial phenomena. -- Marina Warner Times Literary Supplement 20021206 In a remarkable scholarly book, The Secret Life of Puppets, Victoria Nelson argues that our sense of the supernatural and yearning for immortality has been displaced from religion to such expressions of popular culture as superheroes, robots and cyborgs. -- Francisco Goldman New York Times Magazine 20041128

Product Description

In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature and cyborgs: from the works of Kleist, Poe, Musil and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured 300 years, a demiurgic consciousness shaped in late antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.

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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Paperback
It is very tempting and common, especially at the turn of a new millennium to say 'we are at the dawn of a new age', and a very cursory reading of The Secret Life Of Puppets could suggest that this is what the author is trying to argue. The book's subject, we are led to believe from the title, is a history of puppet theatre. The key word in the title, however, is 'secret' and the puppets of the title are the descendants of the ancient idols of the gods, worshiped and animated by their priests. Their secret life is of the history of their portrayal in literature, used as a vehicle to track the shifting literary and overriding paradigm of either Platonic or Aristotelian thought. We are as Nelson states in an era of Aristotelian (or episteme) thought, but the thesis of this book is that we are about to shift into an era of Platonic thought (or Gnosis).

Nelson also believes that the images of puppets and other simulacra have metamorphosed into the images of robots, cyborgs and androids that we see in modern science fiction. These, she believes, are modern day golems, and the magus' that created them have become the demiurgic scientists of film and book, with their long tradition that harks back to Mary Shelly's much maligned creator. The fact that Nelson must examine works of fantasy and science fiction along side alchemical texts, ancient and modern high literature is what, in my opinion, makes this book stand apart form almost every other book of this kind that I have read. The sources that Nelson draws upon are as diverse as can be imagined. A lengthy analysis of Bruno Shultz (Polish surrealist writer of the 30's) and H. P. Lovecraft (American pulp horror writer of the same period) both have full chapters dedicated to their work, as to do Umberto Eco, and Danish filmmaker Lars Von Trier. Each source is treated with equal respect and detail. As you might imagine this is a considerable breath of fresh air to a fan of fantasy, horror and sci-fi like myself. It is all too common that critics and the media deride such genres in general. Although it is inevitable that Nelson would examine these sources given her subject matter, the breadth of sources that she quotes shows that she is doing this with good reason rather than out of merely a desire for completeness. It raised a smile to think of people with little experience of such things searching out genre films such as Alex Proyas' Dark City or the Japanese Anime Ghost in the shell (used in chapters 12 and 11 respectively) on the strength of this book. I remain unsure however of exactly deeply Nelson delves into the genres, as a few of her sources that she quotes are not primary, for example she analyses Ghost in the shell from the Anime (animated film) rather than the Manga (comic book) it was biased on. This is probably the reaction of a genre fan however, and I cannot bring myself to be too harsh with the criticism.

The book has many other sources, too many to list here in this review, but as I mentioned above all of them are treated with equality and concisely used. There is very little extraneous detail, but the topics that are covered within each chapter are diverse ways of examining the central theme.

The book draws towards the conclusion that the world of ideal forms first philosophised by Plato has been transformed in our minds to the virtual reality of cyberspace. The perfection that we sought and told tales of from the realms beyond sight we now seek in the worlds of the web. In closing it also states that it recognises that in truth, Platonic thought and Aristotelian thought should and can rest side by side, even though the proponents of those individual schools often fail to acknowledge this. To her credit, Nelson reminds of this at various points, such as mentioning that Gnostic assumptions of colour and appearance should not perhaps be over indulged in. With these gentle nudges of balance, the book shows it's true scholarly and philosophical credentials. This is a book that neatly crosses the worlds of academia and popular culture, for people familiar with either it will allow them to discover new fields that they perhaps thought beneath or above them, but for some-one familiar with both it is a fantastic way of seeing both in a new light.

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Amazon.com:  8 reviews
11 of 12 people found the following review helpful
Ground down 17 May 2002
By Thane Plambeck - Published on Amazon.com
Format:Hardcover
This is a book that at times reads a bit like a Ph.D. thesis, but's it really much better than that.

If you've ever entertained the idea that popular films such as The Matrix, or TV shows (X-Files) might be saying something interesting about ideas in today's world at some deeper level, but you're not really sure what it is, this is the book to read. Nelson shows how Robocop, the Terminator and so on are just the latest puppets standing in for a certain way of thinking about the world, even a 'religious' way of thinking, that in fact is very ancient in Western society. It's been driven into eclipse by our modern, scientific, and materialistic society, but becomes strangely ascendant the moment we walk into a movie theatre, read a Stephen King novel, or listen to a conversation about an 'interesting' movie at the water cooler. Why? Well, buy Nelson's book.

I could imagine this book being misread as an attack on conventional religion, but it really has nothing to do with that. I could also imagine that some readers, not accustomed to slogging their way through terms such as 'Platonism', 'demiurge,' and so on, might miss out on finer moments in Nelson's work, when she casts off the robes of the academic (which don't really suit her, anyway) and speaks in plain language about her ideas.

In any case, this is a fine book well worth a careful reading in my opinion.

14 of 16 people found the following review helpful
Spins a common thread through esoteric interests 30 Jun 2002
By D. Pautler - Published on Amazon.com
Format:Hardcover
If you have bookshelves at home covering sci-fi/fantasy/horror, mythology, AI, psychology, alchemy, animation, and semiotics, and know them only as "things I'm interested in" without being aware of any other common thread, Victoria Nelson just might convince you that you are interested in those things for the same reason she is, and that people throughout history have been: you are mapping a geography of human imagination, taking a journey that you can't help but pursue. Although the book is structured as a history of ideas, there's an autobiography being told, too, about a precocious, sensitive kid fleeing grad school to Hawaii (just as I did) only to return years later "to finish the PhD thesis I never wrote". Along the way, you'd find many great books and films you may never have heard of.
10 of 11 people found the following review helpful
Must Read 3 Aug 2009
By Benjamin D. Steele - Published on Amazon.com
Format:Paperback
This book is one of the best I've ever read. My copy is heavily underlined and well-thumbed. There are few authors that connect the topics she does in the way she does it, and there are even fewer who do so with such insight. It's a hard book to describe as it includes much: puppets and humanity, reality and imagination, philosophy and religion, film and fiction, high and low culture. It's a fairly large book at around 300 pages of text and also there are useful notes in the back. Even though her ideas may be above the head of the average person, her writing style is easy to follow. If you're a somewhat curious and minimally intelligent person, then what you'll probaby enjoy about this book is learning new ideas and discovering new authors. I'm very well read and I came across a number of things I'd never heard of.

Two topics Victoria Nelson covers that are of particular interest to me are Gnosticism and Noir. If you like these topics, then another book you'd like is Eric G. Wilson's The Melancholy Android: On the Psychology of Sacred Machines and Secret Cinema: Gnostic Vision in Film. Wilson is directly influenced by Nelson. There aren't many books that look at the religious aspects of Noir, but another one is Thomas S. Hibbs Arts of Darkness: American Noir and the Quest for Redemption. Somewhat oddly, a major connection for these authors is that they all discuss Philip K. Dick who is a favorite author of mine. Dick was mainly a fiction writer, but also wrote non-fiction about what it is to be human in terms of philosophy, religion, and science (in particular the subjects of Gnosticism and androids). If you read Philip K. Dick's non-fiction, it will give you a richer perspective on the meeting of high and low culture (which is an emphasis of Nelson and Wilson)and on the dark quest for redemption (which all of these authors touch upon). Two Philip K. Dick books I'd recommend are The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings and In Pursuit of Valis: Selections from the Exegesis. If you want a clear overview of Philip K. Dick's philsophical and religion thoughts, then you should read Pink Beams of Light from the God in the Gutter: The Science-Fictional Religion of Philip K. Dickby Gabriel McKee.

Some of Nelson's best insights revolve around the notions of imagination and reality, sanity and insanity (which are typical Philip K. Dick topics in both his fiction and non-fiction). This is where she discusses various genre writers (for example, Poe, Lovecraft, Schultz and Kafka) and where she explores the connection between psychology, spirituality and creativity. If you're intellectually fascinated by imagination and creativity, then there are some truly awesome books out there that would give even greater context to the already large context that Victoria Nelson provides. I'd guess that much of the groundwork for Nelson's thinking comes from the Jungian tradition of thinkers and she references Carl Jung a number of times (but she also discuses Freud). If you're interested in further reading about the imagination, then check out these other books: Dream & the Underworld by James Hillman, Imagination Is Reality: Western Nirvana in Jung, Hillman, Barfield, and Cassirer by Roberts Avens, Daimonic Reality: A Field Guide to the Otherworld by Patrick Harpur, and The Trickster and the Paranormal by George P. Hansen.

Besides my mentioning a number of related books, I'd consider The Secret Life of Puppets to be very unique. There are many books out there about these kinds of topics, but she brings it together in a very compelling way. These ideas easily could've become lost in abstract intellectuality if handled by a lesser writer.
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