The core concept of this film has special relevance more than 40 years after its initial release, given recent developments in genetic engineering: Recycling of human beings, whole or in parts. As I again watched it, I thought about several themes which have intrigued man throughout history, such as eternal youth (e.g. the fountain of youth) and unholy pacts (e.g. in the Garden of Eden and, later, Dr. Faust). Dissatisfied with his life, Arthur Hamilton (John Randolph) presents himself to The Company and agrees (for a substantial fee) to become a different person and have a lifestyle about which he has obviously fantasized for many years. After extensive surgery, he becomes Antiochus ("Tony") Wilson (Rock Hudson), twenty years younger, strikingly handsome, physically fit, and living what is for many males an idealized bachelor's life. He seems to have everything Hamilton once desired and yet....
This is among the subtlest but also one of the most frightening of films. To say more about its plot would be a disservice to those who have not as yet seen it. Suffice to say that, under the brilliant direction of John Frankenheimer, the cast plays out what becomes a horror story of almost unbearable impact. My opinion is that Hudson's performance is his strongest throughout a lengthy film career. Will Geer appears briefly but memorably, as do others in a diverse cast which includes Murray Hamilton, Jeff Corey, Richard Anderson, and Salome Jens. Also noteworthy is James Wong Howe's cinematography which nourishes, indeed intensifies the gradually-increasing sense of terror as Wilson attempts without success to re-negotiate the terms and conditions of his surgically-enhanced life. Whenever I recall the final scene, I shudder despite the fact that I have seen this film several times and know that it is "only a movie."