Lawton returns with his Troy series and a brilliant evocation of Europe and the tensions across it as World War II simmers to a boiling point. If familiar with the series, don't expect a neat and tidy investigative case for London copper Freddie Troy here. This novel is much bigger and a sort of fable on a grand scale; what we may have failed to learn through studying history is brought to the reader in an entertaining and tense story that prompts us to think again about the `then' and the `now' when it comes to warfare.
The lead up to war is experienced through the lives of more than one member of the wonderfully eccentric Troy family, in this case mainly the father Alex and sons Rod and Freddie. The story takes us to Berlin and Vienna, the latter including the night of Kristallnacht. Rod is there and sees first hand what enfolds. The beauty of this novel lies where we are party to the experiences of other minor characters who become displaced and their determination to survive at all costs, as well their willingness to fit into new arenas and adapt.
We also have wonderful moments of lightness and humour: Freddie accompanies his father on a trip to Monte Carlo and comes across his first major challenge in the female form (lessons 2 and onwards come later in London); the internees on the Isle of Man manage to retain some quality of life through creative means such as using a school's store of musical instruments to assemble their own orchestra, buying in goods via the locals through use of continuing UK bank accounts and creating a bakery, sculpting with materials that might otherwise have fed the internees.
As with the other Troy novels, Lawton delivers tight prose - no word is wasted. His sense of time and place cuts the muster, with descriptions creating a keen visual image. Alex, Rod and Freddie are all compelling characters and the pages turn because you want to know what happens next in the lives of each of them. This is also true of the minor characters that Lawton introduces us to; their lives and impact are far more than minor. Where survival is possible, a reader only needs a beating heart to be ravenous to know what happens next in their lives. The tensions that existed in all places included in the novel are evoked with a keen eye on real life as it must have been then. There are so many threads to this novel's plot that it is hard to put the book down. As with all previous Troy novels, this is a dense and rich tapestry of writing. And, as is usual for readers of this series, Lawton mixes his fictional characters with real historical characters in his fiction; this time Freud, Churchill, Oswald Mosley and a selection of Nazis and others.
Second Violin is not a `Freddie Troy is sent out to the dead body and solves the case' scenario, with much added interest. Lawton's writing is always a richly dense tapestry to me, but this time he's moved his own posts higher. This novel is about character development in a time of forceful character development for the wrong or right reasons. In those circumstances, in the various situations that Lawton introduces, what would have been your reaction and actions? This novel will question you.
But above all, it's a superb read. Some might say `the icing on the cake', but for me that begs finality. Second Violin is a great read and has a depth that few authors can match; but I, for one, still want more of the `family Troy' as I call them.
Second Violin uses the Troy family for far more purposes than mere story-telling.
This is a biggie - catch it if you can!